Part 20

2. _Main Sources._--(a) _The Pyramid texts,_ a vast collection of incantations inscribed on the inner walls of five royal tombs of the Vth and VIth Dynasties at Sakkara, discovered and first published by Maspero. Much of these texts is of extreme antiquity; one incantation at least has been proved to belong to an age anterior to the unification of the Northern and Southern kingdoms. Later copies also exist, but possess little independent critical value. The subject-matter is funerary, i.e. it deals with the fate of the dead king in the next life. Some chapters describe the manner in which he passes from earth to heaven and becomes a star in the firmament, others deal with the food and drink necessary for his continued existence after death, and others again with the royal prerogatives which he hopes still to enjoy; many are directed against the bites of snakes and stings of scorpions. It is possible that these incantations were recited as part of the funerary ritual, but there is no doubt that their mere presence in the tombs was supposed to be magically effective for the welfare of the dead. Originally these texts had an application to the king alone, but before the beginning of the XIIth Dynasty private individuals had begun to employ them on their own behalf. They seem to be relatively free from textual corruption, but the vocabulary still occasions much difficulty to the translator.

(b) _The Book of the Dead_ is the somewhat inappropriate name applied to a large similar collection of texts of various dates, certain chapters of which show a tendency to become welded together into a book of fixed content and uniform order. A number of chapters contained in the later recensions are already found on the sarcophagi of the Middle Kingdom, together with a host of funereal texts not usually reckoned as belonging to the Book of the Dead; these have been published by Lepsius and Lacau. The above-mentioned nucleus, combined with other chapters of more recent origin, is found in the papyri of the XVIIIth-XXth Dynasties, and forms the so-called Theban recension, which has been edited by Naville in an important work. Here already more or less rigid groups of chapters may be noted, but individual manuscripts differ greatly in what they include and exclude. In the Saite period a sort of standard edition was drawn up, consisting of 165 chapters in a fixed order and with a common title "the book of going forth in the day"; this recension was published by Lepsius in 1842 from a Turin papyrus. Like the Pyramid texts, the Book of the Dead served a funerary purpose, but its contents are far more heterogeneous; besides chapters enabling the dead man to assume what shape he will, or to issue triumphant from the last judgment, there are lists of gates to be passed and demons to be encountered in the nether world, formulae such as are inscribed on sepulchral figures and amulets, and even hymns to the sun-god. These texts are for the most part excessively corrupt, and despite the translations of Pierret, Renouf and Budge, much labour must yet be expended upon them before they can rank as a first-rate source.

(c) The texts of the _Tombs of the Kings at Thebes_ (XVIIIth-XXth Dyn.) consist of a series of theological books compiled at an uncertain date; they have been edited by Naville and Lefébure. The chief of these, extant in a longer and a shorter version, is called _The book of that which is in the Nether World_ (familiarly known as the _Am Duat_) and deals with the journey of the sun during the twelve hours of the night. _The Book of Gates_ treats of the same topic from a more theological standpoint. _The Litanies of the Sun_ contain the acclamations with which the sun-god Re was greeted, when at eventide his bark reached the entrance of the nether world. Another treatise relates the destruction of mankind, and the circumstances that led to the creation of the heavens in the form of a cow.

(d) Among the _later religious books_ one or two deserve a special mention, such as _The Overthrowing of Apophis_, the serpent enemy of the sun-god; _The Lamentations of Isis and Nephthys_ over their murdered brother Osiris; _The Book of Breathings_, a favourite book among the later Theban priests. Several of these books were used in the ritual of feast days, but all have received a secondary funerary employment, and are therefore found buried with the dead in their tombs.

(e) The _Ritual texts_ have survived only in copies not earlier than the New Kingdom. The temple ritual employed in the daily cult is illustrated by the scenes depicted on the inner walls of the great temples: the formulae recited during the performance of the ceremonies are recorded at length in the temple of Seti I. (XIXth Dyn.) at Abydos, as well as in some later papyri in Berlin. The whole material has been collected and studied by Moret. The funerary ritual is known from texts in the Theban tombs (XVIIIth-XXth Dyn.) and papyri and sarcophagi of later date; older versions are contained in the Pyramid texts and _The Book of the Dead_. Schiaparelli has done much towards gathering together this scattered material. The ritual observed during the process of embalmment is preserved in late papyri in Paris and Cairo published by Maspero.

(f) The _magical_ documents have been comparatively little studied, in spite of their great interest. They deal for the most part with the hearing of diseases, the bites of snakes and scorpions, &c., but incidentally cast many sidelights on the mythology and superstitious beliefs. The best-known of these books is the _Papyrus Harris_ published by F. J. Chabas, but other papyri of as great or greater importance are to be found in the Leiden, Turin and other collections. A curious book published by A. Erman contains spells to be used by mothers for the protection of their children. A papyrus in London contains a calendar of lucky and unlucky days. A late class of stelae, of which the best specimen has been published by Golenischeff, consists of spells of various kinds originally intended for the use of the living, but later employed for funerary purposes.

(g) Under the heading _Miscellaneous_ we must mention a number of sources of great value: the grave-stones, or stelae, especially those from Abydos, which throw much light on funerary beliefs; the great _Papyrus Harris_, the longest of all papyri, which enumerates the gifts of Rameses III. (XXth Dyn.) to the various temples of Egypt; the hymns to the gods preserved in Cairo and Leiden papyri; and the inscriptions of the Ptolemaic temples (Dendera, Edfu, &c.), which teem with good religious material. Nor can any attempt here be made to summarize the remaining native Egyptian sources, literary and archaeological, that deserve notice.

(h) Among the classical writers, Plutarch in his treatise _Concerning Isis and Osiris_ is the most important. Diodorus also is useful. Herodotus, owing to his religious awe and dread of divulging sacred mysteries, is only a second-rate source.

3. _The Gods._--The end of the pre-dynastic period, in which we dimly descry a number of independent tribes in constant warfare with one another, was marked by the rise of a united Egyptian state with a single Pharaonic ruler at its head. The era of peace thus inaugurated brought with it a rapid progress in all branches of civilization; and there soon emerged not only a national art and a condition of material prosperity shared by the entire land in common, but also a state religion, which gathered up the ancient tribal cults and floating cosmical conceptions, and combining them as best it could, imposed them on the people as a whole. By the time that the Pyramid texts were put into writing, doubtless long before the Vth Dynasty, this religion had assumed a stereotyped appearance that clung to it for ever afterwards. But the multitude of the deities and the variety of the myths that it strove to incorporate prevented the development of a uniform theological system, and the heterogeneous origin of the religion remained irretrievably stamped upon its face. Written records were few at the time when the pantheon was built up, so that the process of construction cannot be followed historically from stage to stage; but it is possible by arguing backwards from the later facts to discern the main tendencies at work, and the principal elementary cults that served as the materials.

Classification of pre-dynastic gods.

The gods of the pre-dynastic period may be divided into two chief groups, the tribal or local divinities and the cosmic or explanatory deities. At the beginning each tribe had its own particular god, who in essence was nothing but the articulate expression of the inner cohesion and of the outward independence of the tribe itself, but who outwardly manifested himself in the form of some animal or took up his abode in some fetish of wood or stone. In times of peace this visible emblem of the god's presence was housed in a rude shrine, but in war-time it was taken thence and carried into the battlefield on a standard. We find such divine standards [HRG: R12] often depicted on the earliest monuments, and among the symbols placed upon them may be detected the images of many deities destined to play an important part in the later national pantheon, such as the falcon Horus [HRG: G5:R12], the wolf Wepwawet (Ophois) [HRG: zAb:R12], the goddess Neith [HRG: R25:R12], symbolized by a shield transfixed with arrows, and the god Min [HRG: R23:R12], the nature of whose fetish is obscure. In course of time the tribes became localized in particular districts, under the influence of a growing central authority, and their gods then passed from tribal into local deities. Hence it came about that the provincial districts or nomes, as they were called, often derived their names from the gods of tribes that settled in them, these names being hieroglyphically written with the sign for "district" surmounted by standards of the type above described, e.g. [HRG: E15:R12], "the nome of the dog Anubis," the 17th or Cynopolite nome of Upper Egypt. In this way a large number of deities came to enjoy special reverence in restricted territories, e.g. the ram [HRG:] Khnum in Elephantine, the jerboa or okapi (?) [HRG: E20] Seth in Ombos, the ibis [HRG: G26] Thoth in Hermopolis Magna, and of the gods named above, Horus in Hieraconpolis, Wepwawet in Assiut, Neith in Sais, and Min in Coptos. As towns and villages gradually sprang up, they too adopted as their patron some one or other of the original tribal gods, so that these came to have different seats of worship all over Egypt. For this reason it is often hard to tell where the primitive cult-centre of a particular deity is to be sought; thus Horus seems equally at home both at Buto in the Delta and at Hieraconpolis in Upper Egypt, and the earliest worship of Seth appears to have been claimed no less by Tanis in the north than by Ombos in the south. The effect of the localization of gods in many different places was to give them a double aspect; so, for instance, Khnum the god of Elephantine could in one minute be regarded as identical with Khnum the god of Esna, while in the next minute and without any conscious sense of contradiction the two might be looked upon as entirely separate beings. In order that there might be no ambiguity as to what divinity was meant, it became usual, in speaking of any local deity, to specify the place of which he was "lord." The tendency to create new forms of a god by instituting his worship in new local centres persisted throughout the whole course of Egyptian history, unhindered by the opposite tendency which made national out of local gods. Some of the cosmic gods, like the sun-god Re of Heliopolis and of Hermonthis, early acquired a local in addition to their cosmic aspect.

In the innermost principle of their existence, as patrons and protectors of restricted communities, the primitive tribal gods did not differ from one another. But externally they were distinguishable by the various shapes that their worshippers ascribed to them; and there can be little doubt that even in the beginning each had his own special attributes and

## particular mythical traits. These, however, may have borne little

resemblance to the later conceptions of the same gods with which we are made familiar by the Pyramid texts. Thus we have no means of ascertaining what the earliest people of Sais thought about their goddess Neith, though her fetish would seem to point to her warlike nature. Nor are we much wiser in respect of those primitive tribal gods that are represented on the oldest monuments in animal form. For though we may be sure that the shape of an animal was that in which these gods were literally visible to their worshippers, yet it is impossible to tell whether some one living animal was chosen to be the earthly tenement of the deity, or whether he revealed himself in every individual of a species, or whether merely the cult-image was roughly hewn into the shape of an animal. Not too much weight must be attached to later evidence on this point; for the New Kingdom and still more the Graeco-Roman period witnessed a strange recrudescence of supposed primitive cults, to which they gave a form that may or may not have been historically exact. In some places whole classes of animals came to be deemed sacred. Thus at Bubastis, where the cat-headed Bast (Ubasti) was worshipped, vast cemeteries of mummified cats have been found; and elsewhere similar funerary cults were accorded to crocodiles, lizards, ibises and many other animals. In Elephantine Khnum was supposed to become incarnate in a ram, at whose death the divinity left him and took up his abode in another. So too the bull of Apis (a black animal with white spots) was during its lifetime regarded as a reincarnation of Ptah, the local god of Memphis, and similarly the Mnevis and Bacis bulls were accounted to be "the living souls" of Etom of Heliopolis and of Re of Hermonthis respectively; these latter cults are certainly secondary, for Ptah himself was never, either early or late, depicted otherwise than in human form, as a mummy or as a dwarf; and Etom and Re are but different names of the sun-god. The form of a snake, attributed to many local goddesses, especially in later times (e.g. Meresger of the Theban necropolis), was borrowed from the very ancient deity Outo (Buto); the semblance of a snake became so characteristic of female divinities that even the word "goddess" was written with the hieroglyph of a snake. Other animal shapes particularly affected by goddesses were those of a lioness (Sakhmi, Pakhe) or a cow (Hathor, Isis). The primitive animal gods are not to be confused with the animal forms ascribed to many cosmic deities; thus when the sun-god Re was pictured as a scarabaeus, or dung-beetle, rolling its ball of dung behind it, this was certainly mere poetical imagery. Or else a cosmic god might assume an animal shape through assimilation with some tribal god, as when Re was identified with Horus and therefore depicted as a falcon.

With the advance of civilization and the transformation of the tribal gods into national divinities, the beliefs held about them must have become less crude. At a very early date the anthropomorphizing tendency caused the animal deities to be represented with human bodies, though as a rule they retained their animal heads; so in the case of Seth as early as the IInd Dynasty. The other gods carry their primitive fetishes in their hands (like Neith, who is depicted holding arrows) or on their heads (so Nefertem [Iphthimis] with his lotus-flower). At the same time the gods began to acquire human personalities. In a few instances this may have come about by the emphasizing of a really primitive trait; as when the wolf Ophois, in consonance with the predatory nature of that animal, developed into a god of war. In other cases the transitional steps are shrouded in mystery; we do not know, for example, why the ibis Thoth subsequently became the patron of the fine arts, the inventor of writing, and the scribe of the gods. But the main factor in this evolutionary process was undoubtedly the formation of myths, which brought gods of independent origin into relation with one another, and thus imbued them with human passions and virtues. Here dim historic recollections often determined the features of the story, and in one famous legend that knits together a group of gods all seemingly local in origin we can still faintly trace how the tale arose, was added to, and finally crystallized in a coherent form.

Osiris was a wise and beneficent king, who reclaimed the Egyptians from savagery, gave them laws and taught them handicrafts. The prosperous reign of Osiris was brought to a premature close by the machinations of his wicked brother Seth, who with seventy-two fellow-conspirators invited him to a banquet, induced him to enter a cunningly-wrought coffin made exactly to his measure, then shut down the lid and cast the chest into the Nile. Isis, the faithful wife of Osiris, set forth in search of her dead husband's body, and after long and adventure-fraught wanderings, succeeded in recovering it and bringing it back to Egypt. Then while she was absent visiting her son Horus in the city of Buto, Seth once more gained possession of the corpse, cut it into fourteen pieces, and scattered them all over Egypt. But Isis collected the fragments, and wherever one was found, buried it with due honour; or, according to a different account, she joined the limbs together by virtue of her magical powers, and the slain Osiris, thus resurrected, henceforth reigned as king of the dead in the nether world. When Horus grew up he set out to avenge his father's murder, and after terrible struggles finally conquered and dispossessed his wicked uncle; or, as another version relates, the combatants were separated by Thoth, and Egypt divided between them, the northern part falling to Horus and the southern to Seth. Such is the story as told by Plutarch, with certain additions and modifications from older native sources. There existed, however, a very ancient tradition according to which Horus and Seth were hostile brothers, not nephew and uncle; and many considerations may be urged in support of the thesis which regards their struggles as reminiscences of wars between two prominent tribes or confederations of tribes, one of which worshipped the falcon Horus while the other had the okapi (?) Seth as its patron and champion. The Horus-tribes were the victors, and it was from them that the dynastic line sprang; hence the Pharaoh always bore the name of Horus, and represented in his own hallowed person the ancient tribal deity. Of Osiris we can only state that he was originally the local god of Busiris, whatever further characteristics he primitively possessed being quite obscure. Isis was perhaps the local goddess of Buto, a town not far distant from Busiris; this geographical proximity would suffice to explain her connexion with Osiris in the tale. A legend now arose, we know not how or why, which made Seth the brother and murderer of Osiris; and this led to a fusion of the Horus-Seth and the Seth-Isis-Osiris _motifs_. The relationships had now to be readjusted, and the most popular view recognized Horus as the son and avenger of Osiris. The more ancient account survived, however, in the myth that Osiris, Horus, Seth, Isis and Nephthys (a goddess who plays but a minor part in the Osiris cycle) were all children of the earth-god Keb and the sky-goddess Nut, born on the five consecutive days added on at the end of the year (the so-called epagomenal days). Later generations reconciled these contradictions by assuming the existence of two Horuses, one, the brother of Osiris, Seth and Isis, being named Haroeris, i.e. Horus the elder, while the other, the child of Isis and Osiris, was called Harpocrates, i.e. Horus the child.

Cosmic deities.