Part 5

In addition to recumbent statues, upright figures must receive notice here, especially those set in wall-monuments in churches mainly. These usually consisted in half-length figures, seen full-face, placed in a recess within an architectural setting more or less elaborate. They belong mainly to the 16th and 17th centuries. Among the many examples in old St Paul's cathedral (destroyed in the Great Fire of 1666) were those of Dean Colet (d. 1519), William Aubrey (1595) and Alexander Nowell (d. 1601). In St Giles's, Cripplegate, is the similarly designed effigy of John Speed (d. 1629); while that of John Stow (d. 1605) is a full-length, seated figure. This, like the figure of Thomas Owen, is in alabaster, but since its erection has always been described as terra-cotta--a material which came into considerable favour for the purpose of busts and half-lengths towards the end of the 16th century, imported, of course, from abroad. Sometimes the stone monuments were painted to resemble life, as in the monuments to Shakespeare and John Combe (the latter now over-painted white), in Holy Trinity Church, Stratford-on-Avon.

BIBLIOGRAPHY.--Among the more noteworthy publications are the following: _Monumental Effigies in Great Britain_ (Norman Conquest to Henry VIII.), by C. A. Stothard, folio (London, 1876); _The Recumbent Monumental Effigies in Northamptonshire_, by A. Hartshorne (4to, London, 1867-1876); _Sepulchral Memorials_ (Northamptonshire), by W. H. Hyett (folio, London, 1817); _Ancient Sepulchral Effigies and Monumental Sculpture of Devon_, by W. H. H. Rogers (4to, Exeter, 1877); _The Ancient Sepulchral Monuments of Essex_, ed. by C. M. Carlton (4to, Chelmsford, 1890); and other works dealing with the subject according to counties. Of particular value is the _Report of the Sepulchral Monuments Committee_ of the Society of Antiquaries, laboriously compiled at the request of the Office of Works, arranged (1) personally and chronologically, and (2) locally (1872). (C. B.; M. H. S.)

FOOTNOTE:

[1] It is well known that the costume of effigies nearly always represented what was actually worn by the remains of the person commemorated, when prepared for interment and when lying in state; and, in like manner, the aspect of the lifeless countenance, even if not designedly reproduced by medieval "image" makers, may long have exercised a powerful influence upon their ideas of consistent monumental portraiture.

EGAN, PIERCE (1772-1849), English sporting writer, was born in London in 1772. He began life as sporting reporter for the newspapers, and was soon recognized as the best of his day. In 1814 he wrote, set and printed a book about the relations of the prince regent (afterwards George IV.) and Miss Robinson, called _The Mistress of Royalty, or the Loves of Florizel and Perdita_. But his best-known work is _Life in London, or Days and Nights of Jerry Hawthorne and his Elegant Friend Corinthian Tom_ (1821), a book describing the amusements of sporting men, with illustrations by Cruikshank. This book took the popular fancy and was one of Thackeray's early favourites (see his _Roundabout Papers_). It was repeatedly imitated, and several dramatic versions were produced in London. A sequel containing more of country sports and misadventures probably suggested Dickens's _Pickwick Papers_. In 1824 _Pierce Egan's Life in London and Sporting Guide_ was started, a weekly newspaper afterwards incorporated with _Bell's Life_. Among his numerous other books are _Boxiana_ (1818), _Life of an Actor_ (1824), _Book of Sports_ (1832), and the _Pilgrims of the Thames_ (1838). Egan died at Pentonville on the 3rd of August 1849.

His son, Pierce Egan (1814-1880), illustrated his own and his father's books, and wrote a score of novels of varying merit, of which _The Snake in the Grass_ (1858) is perhaps the best.

EGBO, a secret society flourishing chiefly among the Efiks of the Calabar district, West Africa. Egbo or Ekpé is a mysterious spirit who lives in the jungle and is supposed to preside at the ceremonies of the society. Only males can join, boys being initiated about the age of puberty. Members are bound by oath of secrecy, and fees on entrance are payable. The Egbo-men are ranked in seven or nine grades, for promotion to each of which fresh initiation ceremonies, fees and oaths are necessary. The society combines a kind of freemasonry with political and law-enforcing aims. For instance any member wronged in an Egbo district, that is one dominated by the society, has only to address an Egbo-man or beat the Egbo drum in the Egbo-house, or "blow Egbo" as it is called, i.e. sound the Egbo horn before the hut of the wrong-doer, and the whole machinery of the society is put in force to see justice done. Formerly the society earned as bad a name as most secret sects, from the barbarous customs mingled with its rites; but the British authorities have been able to make use of it in enforcing order and helping on civilization. The Egbo-house, an oblong building like the nave of a church, usually stands in the middle of the villages. The walls are of clay elaborately painted inside and ornamented with clay figures in relief. Inside are wooden images, sometimes of an obscene nature, to which reverence is paid. Much social importance attaches to the highest ranks of Egbo-men, and it is said that very large sums, sometimes more than a thousand pounds, are paid to attain these dignities. At certain festivals in the year the Egbo-men wear black wooden masks with horns which it is death for any woman to look on.

See Mary H. Kingsley, _West African Studies_ (1901); Rev. Robt. H. Nassau, _Fetichism in West Africa_ (1904); C. Partridge, _Cross River Natives_ (1905).

EGEDE, HANS (1686-1758), Norwegian missionary, was born in the vogtship of Senjen, Norway, on the 31st of January 1686. He studied at the university of Copenhagen, and in 1706 became pastor at Vaagen in the Lofoten islands, but the study of the chronicles of the northmen having awakened in him the desire to visit the colony of Northmen in Greenland, and to convert them to Christianity, he resigned his charge in 1717; and having, after great difficulty, obtained the sanction and help of the Danish government in his enterprise, he set sail with three ships from Bergen on the 3rd of May 1721, accompanied by his wife and children. He landed on the west coast of Greenland on the 3rd of July, but found to his dismay that the Northmen were entirely superseded by the Eskimo, in whom he had no particular interest, and whose language he would be able to master, if at all, only after years of study. But, though compelled to endure for some years great privations, and at one time to see the result of his labours almost annihilated by the ravages of small-pox, he remained resolutely at his post. He founded the colony of Godthaab, and soon gained the affections of the people. He converted many of them to Christianity, and established a considerable commerce with Denmark. Ill-health compelling him to return home in 1736, he was made principal of a seminary at Copenhagen, in which workers were trained for the Greenland mission; and from 1740 to 1747 he was superintendent of the mission. He died on the 5th of November 1758. He is the author of a book on the natural history of Greenland.

His work in Greenland was continued, on his retirement, by his son PAUL EGEDE (1708-1789), who afterwards returned to Denmark and succeeded his father as superintendent of the Greenland mission. Paul Egede also became professor of theology in the mission seminary. He published a Greenland-Danish-Latin dictionary (1750), Greenland grammar (1760) and Greenland catechism (1756). In 1766 he completed the translation begun by his father of the New Testament into the Greenland tongue; and in 1787 he translated Thomas à Kempis. In 1789 he published a journal of his life in Greenland.

EGER, AQIBA (1761-1837), Jewish scholar, was for the last twenty-five years of his life rabbi of Posen. He was a rigorous casuist of the old school, and his chief works were legal notes on the Talmud and the code of Qaro (q.v.). He believed that religious education was enough, and thus opposed the party which favoured secular schools. He was a determined foe of the reform movement, which began to make itself felt in his time.

EGER (Czech, _Cheb_), a town of Bohemia, Austria, 148 m. W.N.W. of Prague by rail. Pop. (1900) 23,665. It is situated on the river Eger, at the foot of one of the spurs of the Fichtelgebirge, and lies in the centre of a German district of about 40,000 inhabitants, who are distinguished from the surrounding population by their costumes, language, manners and customs. On the rock, to the N.W. of the town, lies the Burg or Castle, built probably in the 12th century, and now in ruins. It possesses a massive black tower, built of blocks of lava, and in the courtyard is an interesting chapel, in Romanesque style with fantastic ornamentations, which was finished in the 13th century. In the banquet-room of this castle Wallenstein's officers Terzky, Kinsky, Illo and Neumann were assassinated a few hours before Wallenstein himself was murdered by Captain Devereux. The murder took place on the 25th of February 1634 in the town-house, which was at that time the burgomaster's house. The rooms occupied by Wallenstein have been transformed since 1872 into a museum, which contains many historical relics and antiquities of the town of Eger. The handsome and imposing St Nicholas church was built in the 13th century and restored in 1892. There is a considerable textile industry, together with the manufacture of shoes, machinery and milling. Eger was the birthplace of the novelist and playwright Braun von Braunthal (1802-1866). About 3 m. N.W. of Eger is the well-known watering place of Franzensbad (q.v.).

The district of Eger was in 870 included in the new margraviate of East Franconia, which belonged at first to the Babenbergs, but from 906 to the counts of Vohburg, who took the title of margraves of Eger. By the marriage, in 1149, of Adela of Vohburg with the emperor Frederick I., Eger came into the possession of the house of Swabia, and remained in the hands of the emperors until the 13th century. In 1265 it was taken by Ottakar II. of Bohemia, who retained it for eleven years. After being repeatedly transferred from the one power to the other, according to the preponderance of Bohemia or the empire, the town and territory were finally incorporated with Bohemia in 1350, after the Bohemian king became the emperor Charles IV. Several imperial privileges, however, continued to be enjoyed by the town till 1849. It suffered severely during the Hussite war, during the Swedish invasion in 1631 and 1647, and in the War of the Austrian Succession in 1742.

See Drivok, _Ältere Geschichte der deutschen Reichstadt Eger und des Reichsgebietes Egerland_ (Leipzig, 1875).

EGER (Ger. _Erlau_, Med. Lat. _Agria_), a town of Hungary, capital of the county of Heves, 90 m. E.N.E. of Budapest by rail. Pop. (1900) 24,650. It is beautifully situated in the valley of the river Eger, an affluent of the Theiss, and on the eastern outskirts of the Mátra mountains. Eger is the see of an archbishopric, and owing to its numerous ecclesiastical buildings has received the name of "the Hungarian Rome." Amongst the principal buildings are the beautiful cathedral in the Italian style, with a handsome dome 130 ft. high, erected in 1831-1834 by the archbishop Ladislaus Pyrker (1772-1847); the church of the Brothers of Mercy, opposite which is a handsome minaret, 115 ft. high, the remains of a mosque dating from the Turkish occupation, other Roman Catholic churches, and an imposing Greek church. The archiepiscopal palace; the lyceum, with a good library and an astronomical observatory; the seminary for Roman priests; and the town-hall are all noteworthy. On an eminence N.E. of the town, laid out as a park, are the ruins of the old fortress, and a monument of Stephen Dobó, the heroic defender of the town against the assaults of the Turks in 1552. The chief occupation of the inhabitants is the cultivation of the vineyards of the surrounding hills, which produce the red Erlauer wine, one of the best in Hungary. To the S.W. of Eger, in the same county of Heves, is situated the town of Gyöngyös (pop. 15,878). It lies on the south-western outskirts of the Mátra mountains, and carries on a brisk trade in the Erlauer wine, which is produced throughout the district. The Hungarians defeated the Austrians at Gyöngyös on the 3rd of April 1849. To the S.W. of Gyöngyös is situated the old town of Hatvan (pop. 9698), which is now a busy railway junction, and possesses several industrial establishments.

Eger is an old town, and owes its importance to the bishopric created by King Stephen in 1010, which was one of the richest in the whole of Hungary. In 1552 Eger resisted the repeated assaults of a large Turkish force; in 1596, however, it was given up to the Turks by the Austrian party in the garrison, and remained in their possession until 1687. It was created an archbishopric in 1814. During the revolution of 1848-1849, Eger was remarkable for the patriotic spirit displayed by its inhabitants; and it was here that the principal campaigns against the Austrians were organized.

EGERIA, an ancient Italian goddess of springs. Two distinct localities were regarded as sacred to her,--the grove of Diana Nemorensis at Aricia, and a spring in the immediate neighbourhood of Rome at the Porta Capena. She derives her chief importance from her legendary connexion with King Numa, who had frequent interviews with her and consulted her in regard to his religious legislation (Livy i. 19; Juvenal iii. 12). These meetings took place on the spot where the sacred shield had fallen from heaven, and here Numa dedicated a grove to the Camenae, like Egeria deities of springs. After the death of Numa, Egeria was said to have fled into the grove of Aricia, where she was changed into a spring for having interrupted the rites of Diana by her lamentations (Ovid, _Metam._ xv. 479). At Aricia there was also a Manius Egerius, a male counterpart of Egeria. Her connexion with Diana Nemorensis, herself a birth goddess, is confirmed by the fact that her aid was invoked by pregnant women. She also possessed the gift of prophecy; and the statement (Dion. Halic. ii. 60) that she was one of the Muses is due to her connexion with the Camenae, whose worship was displaced by them.

EGERTON, SIR PHILIP DE MALPAS GREY, Bart. (1806-1881), English palaeontologist, was born on the 13th of November 1806, the son of the 9th baronet. He was educated at Eton and Christ Church, Oxford, where he graduated B.A. in 1828. While at college his interest in geology was aroused by the lectures of W. Buckland, and by his acquaintance with W.D. Conybeare. Subsequently when travelling in Switzerland with Lord Cole (afterwards 3rd earl of Enniskillen) they were introduced to Prof. L. Agassiz at Neufchatel, and determined to make a special study of fossil fishes. During the course of fifty years they gradually gathered together two of the largest and finest of private collections--that of Sir Philip Grey Egerton being at Oulton Park, Tarporley, Cheshire. He described the structure and affinities of numerous species in the publications of the Geological Society of London, the _Geological Magazine_ and the Decades of the Geological Survey; and in recognition of his services the Wollaston medal was awarded to him in 1873 by the Geological Society. He was elected F.R.S. in 1831, and was a trustee of the British Museum. As a member of Parliament he represented the city of Chester in 1830, the southern division of Cheshire from 1835 until 1868, and the western division from 1868 to 1881. He died in London on the 6th of April 1881. His collection of fossil fishes is now in the British Museum.

EGG, AUGUSTUS LEOPOLD (1816-1863), English painter, was born on the 2nd of May 1816 in London, where his father carried on business as a gun-maker. He had some schooling at Bexley, and was not at first intended for the artistic profession; but, developing a faculty in this line, he entered in 1834 the drawing class of Mr Sass, and in 1836 the school of the Royal Academy. His first exhibited picture appeared in 1837 at the Suffolk Street gallery. In 1838 he began exhibiting in the Academy, his subject being a "Spanish Girl"; altogether he sent twenty-seven works to this institution. In 1848 he became an associate and in 1860 a full member of the Academy: he had considerable means, apart from his profession. In 1857 he took a leading part in selecting and arranging the modern paintings in the Art-Treasures Exhibition in Manchester. His constitution being naturally frail, he went in 1853, with Dickens and Wilkie Collins, to Italy for a short trip, and in 1863 he visited Algeria. Here he benefited so far as his chronic lung-disease was concerned; but exposure to a cold wind while out riding brought on an attack of asthma, from which he died on the 26th of March 1863 at Algiers, near which city his remains were buried.

Egg was a gifted and well-trained painter of genre, chiefly in the way of historical anecdote, or of compositions from the poets and novelists. Among his principal pictures may be named: 1843, the "Introduction of Sir Piercie Shafton and Halbert Glendinning" (from Scott's _Monastery_); 1846, "Buckingham Rebuffed"; 1848, "Queen Elizabeth discovers she is no longer young"; 1850, "Peter the Great sees Catharine for the first time"; 1854, "Charles I. raising the Standard at Nottingham" (a study); 1855, the "Life and Death of Buckingham"; 1857 and 1858, two subjects from Thackeray's _Esmond_; 1858, "Past and Present, a triple picture of a faithless wife"; 1859, the "Night before Naseby"; 1860, his last exhibited work, the Dinner Scene from _The Taming of the Shrew_. The Tate Gallery contains one of his earlier pictures, Patricio entertaining two Ladies, from the _Diable boiteux_; it was painted in 1844.

Egg was rather below the middle height, with dark hair and a handsome well-formed face; the head of Peter the Great (in the picture of Peter and Catharine, which may be regarded as his best work, along with the Life and Death of Buckingham) was studied, but of course considerably modified, from his own countenance. He was manly, kind-hearted, pleasant, and very genial and serviceable among brother-artists; social and companionable, but holding mainly aloof from fashionable circles. As an actor he had uncommon talent. He appeared among Dickens's company of amateurs in 1852 in Lord Lytton's comedy _Not so Bad as we Seem_, and afterwards in Wilkie Collins's _Frozen Deep_, playing the humorous part of Job Want.

EGG (O.E. _aeg_, cf. Ger. _Ei_, Swed. _aegg_, and prob. Gr. [Greek: ôon], Lat. _ovum_), the female reproductive cell or ovum of animals, which gives rise generally only after fertilization to the young. The largest eggs are those of birds; and this because, to the minute essential portion of the egg, or germ, from which the young bird grows, there is added a large store of food-material--the yolk and white of the egg--destined to nourish the growing embryo while the whole is enclosed within a hard shell.

The relative sizes of eggs depend entirely on the amount of the food-yolk thus enclosed with the germ; while the form and texture of the outer envelope are determined by the nature of the environment to which the egg is exposed. Where the food material is infinitesimal in quantity the egg is either not extruded--the embryo being nourished by the maternal tissues,--or it passes out of the parental body and gives rise at once to a free-living organism or "larva" (see LARVAL FORMS), as in the case of many lowly freshwater and marine animals. In such cases no "egg" in the usual sense of the term is produced.

The number of eggs periodically produced by any given individual depends on the risks of destruction to which they, and the young to which they give rise, are exposed: not more than a single egg being annually laid by some species, while with others the number may amount to millions.

_Birds' Eggs._--The egg of the bird affords, for general purposes, the readiest example of the modifications imposed on eggs by the external environment. Since it must be incubated by the warmth of the parent's body, the outer envelope has taken the form of a hard shell for the protection of the growing chick from pressure, while the dyes which commonly colour the surface of this shell serve as a screen to hide it from egg-eating animals.

Carbonate of lime forms the principal constituent of this shell; but in addition phosphate of lime and magnesia are also present. In section, this shell will be found to be made up of three more or less distinct crystalline layers, traversed by vertical canals, whereby the shell is made porous so as to admit air to the developing chick.

The outermost, or third, layer of this shell often takes the form of a glaze, as of porcelain, as for example in the burnished egg of the ostrich: or it may assume the character of a thick, chalky layer as in some cuckoos (_Guira_, _Crotophaga ani_), cormorants, grebes and flamingoes: while in some birds as in the auks, gulls and tinamous, this outer layer is wanting; yet the tinamous have the most highly glazed eggs of all birds, the second layer of the shell developing a surface even more perfectly burnished than that formed by the outermost, third layer in the ostrich.

While the eggs of some birds have the shell so thin as to be translucent, e.g. kingfisher, others display considerable thickness, the maximum being reached in the egg of the extinct _Aepyornis_.

Though in shape differing but little from that of the familiar hen's egg, certain well-marked modifications of form are yet to be met with. Thus the eggs of the plover are pear-shaped, of the sand-grouse more or less cylindrical, of the owls and titmice spherical and of the grebes biconical.

In the matter of coloration the eggs of birds present a remarkable range. The pigments to which this coloration is due have been shown, by means of their absorption spectra (Sorby, _Proc. Zool. Soc._, 1875), to be seven in number. The first of these, oorhodeine, is brown-red in tone, and rarely absent: the second and third, oocyanin, and banded oocyanin, are of a beautiful blue, and though differing spectroscopically give rise to the same product when oxidized: the fourth and fifth are yellow, and rufous ooxanthine, the former combining with oocyanin gives rise to the wonderful malachite green of the emu's egg, while the latter occurs only in the eggs of tinamous: the sixth is lichenoxanthine, a pigment not yet thoroughly known but present in the shells of all eggs having a peculiar brick-red colour. Still less is known of the seventh pigment which is, as yet, nameless. It is a substance giving a banded absorption spectrum, and which, mixed with other pigments, imparts an abnormally browner tint. The origin of these pigments is yet uncertain, but it is probable that they are derived from the haemoglobin or red colouring matter of the blood. This being so, then the pigments of the egg-shell differ entirely in their nature from those which colour the yolk or the feathers.