Part 22

NEPHTHYS, the sister of Osiris and wife of Seth, daughter of Keb and Nut, plays a considerable rôle in the Osiris story. She sided with Isis and aided her to bring Osiris back to life. Isis and Nephthys are often mentioned together as protectresses of the dead.

ONOURIS, Egyptian _En-huri_, "sky-bearer," the god of Thinis. Later identified with Shu (Show), who holds heaven and earth apart.

PTAH, the Hephaestus of the Greeks, a demiurgic and creative god, special patron of hand-workers and artisans. Worshipped in Memphis, he perhaps owed his importance more to the political prominence of that town than to anything else. He was early identified with an ancient but obscure god Tenen, and further with the sepulchral deity Sokaris. He is represented either as a closely enshrouded figure whose protruding hands grasp a composite sceptre, the whole standing on a pedestal within a shrine; or else as a misshapen dwarf.

SAKHMI, a lion-headed goddess of war and strife, whose name signifies the mighty. She was worshipped at Latopolis (Esna), but also at a late date as a member of the Memphite triad, with Ptah as husband and Nefertem (Iphthimis) as son: often, too, confounded with Ubasti.

SETH (Egyptian Set, Sth or Sts), by the Greeks called Typhon, was depicted as an animal [HRG] that has been compared with the jerboa by some, and with the okapi by others, but which the Egyptians themselves occasionally conceived to be nothing but a badly drawn ass. In historic times his cult was celebrated at Tanis and Ombos. He regained a certain prestige as god of the Hyksos rulers, and two Pharaohs of the XIXth Dynasty derived their name Sethos (Seti) from him. But, generally speaking, he was abominated as a power of evil, and his figure was often obliterated on the monuments. He is named in similes as a great warrior, and as such and "son of Nut" he is identified with the Syrian Baal.

4. _The Divine Cult._--In the midst of every town rose the temple of the local god, a stately building of stone, strongly contrasting with the mud and plaster houses in which even the wealthiest Egyptians dwelt. It was called the "house of the god" [HRGs], and in it the deity was supposed to reside, attended by his "servants" [HRGs] the priests. There was indeed a certain justification for this contention, even when a contrary theory assigned to the divinity a place in the sky, as in the case of the lunar divinity Thoth; for in the inmost sanctuary stood a statue of the god, which served as his representative for the purposes of the cult. Originally each temple was dedicated to one god only; but it early became usual to associate with him a mate of the opposite sex, besides a third deity who might be represented either as a second wife or as a child. As examples of such triads, as they are called, may be mentioned that of Thebes, consisting of Ammon, Mut and Chons, father, mother and child; and as typical of the other kind, where a god was accompanied by two goddesses, that of Elephantine, consisting of Khnum, Satis and Anukis. The needs of the god were much the same as those of mortals; no more than they could he dispense with food and drink, clothes for his apparel, ointment for his limbs, and music and dancing to rejoice his heart. The only difference was that the divine statue was half-consciously recognized as a lifeless thing that required carefully regulated rites and ceremonies to enable it to enjoy the good things offered to it. Early every morning the officiating priest proceeded to the holy of holies, after the preliminaries of purification had cleansed him from any miasma that might interfere with the efficacy of the rites. Then with the prescribed gestures, and reciting appropriate formulae all the while, he broke the seal upon the door of the shrine, loosed the bolts, and at last stood face to face with the god. There followed a series of prostrations and adorations, culminating in the offering of a small image of Maat, the goddess of Truth. This seems to have been the psychological moment of the entire service: hitherto the statue had been at best a god in _posse_; now the symbolical act placed him in possession of all his faculties, he was a god in truth, and could

## participate like any mortal in the food and luxuries that his servants

put before him. The daily ceremony closed with ablutions, anointings and a bountiful feast of bread, geese, beer and oxen; having taken his fill of these, the god returned to his shrine until the next morning, when the ritual was renewed. The words that accompanied the manual gestures are, in the rituals that have come down to us, wholly dominated by the myth of Osiris: it is often hard to discern much connexion between the acts and the formulae recited, but the main thought is clearly that the priest represents Horus, the pious son of the dead divinity Osiris. That this conception is very old is proved by the fact that even in the Pyramid texts "the eye of Horus" is a synonym for all offerings: an ancient tale of which only shreds have reached us related how Seth had torn the eye of Horus from him, though not before he himself had suffered a still more serious mutilation; and by some means, we know not how, the restoration of the eye was instrumental in bringing about the vindication of Osiris. As to the manual rites of the daily cult, all that can here be said is that incense, purifications and anointings with various oils played a large part; the sacrifices consisted chiefly of slaughtered oxen and geese; burnt offerings were a very late innovation.

At an early date the rites practised in the various temples were conformed to a common pattern. This holds good not only for the daily ritual, but also for many festivals that were celebrated on the same day throughout the whole length of the land. Such were the calendrical feasts, called "the beginnings of the seasons," and including, for example, the monthly and half-monthly festivals, that of the New Year and that of the rising of Sirius (Sothis). But there were also local feast days like that of Neith in Sais (Hdt. ii. 62) or that of Ammon in southern Opi (Luxor). These doubtless had a more individual character, and often celebrated some incident supposed to have occurred in the lifetime of the god. Sometimes, as in the case of the feast of Osiris in Abydos, a veritable drama would be enacted, in which the whole history of the god, his sufferings and final triumph were represented in mimic form. At other times the ceremonial was more mysterious and symbolical, as in the feast of the raising of the Ded-column [HRG] when a column of the kind was drawn by cords into an upright position. But the most common feature of these holy days was the procession of the god, when he was carried on the shoulders of the priests in his divine boat far beyond the precincts of his temple; sometimes, indeed, even to another town, where he paid a visit to the god of the place. These occasions were public holidays, and passed amid great rejoicings. The climax was reached when at a given moment the curtains of the shrine placed on the boat were withdrawn, and the god was revealed to the eyes of the awe-struck multitude. Music and dancing formed part of the festival rites.

Temples.

As with the rites and ceremonies, so also the temples were early modelled upon a common type. Lofty enclosure walls, adorned with scenes from the victorious campaigns of the Pharaoh, shut off the sacred buildings from the surrounding streets. A small gateway between two massive towers or pylons gave admittance to a spacious forecourt open to the sky, into which the people were allowed to enter at least on feast days. Farther on, separated from the forecourt by smaller though still massive pylons, lay a hypostyle hall, so called from its covered colonnades; this hall was used for all kinds of processions. Behind the hypostyle hall, to which a second similar one might or might not be added, came the holy of holies, a dark narrow chamber where the god dwelt; none but the priests were admitted to it. All around lay the storehouses that contained the treasures of the god and the appurtenances of the divine ritual. The temples of the earliest times were of course far more primitive than this: from the pictures that are all that is now left to indicate their nature, they seem to have been little more than huts or sheds in which the image of the god was kept. One temple of a type different from that above described has survived at Abusir, where it has been excavated by German explorers. It was a splendid edifice dedicated to the sun-god Re by a king of the Vth Dynasty, and was probably a close copy of the famous temple of Heliopolis. The most conspicuous feature was a huge obelisk on a broad superstructure [HRG]: the obelisk always remained closely connected with the solar worship, and probably took the place of the innermost shrine and statue of other temples. The greater part of the sanctuary was left uncovered, as best befitted a dwelling-place of the sun. Outside its walls there was a huge brick model of the solar bark in which the god daily traversed the heavens.

Power of the priests.

As the power of the Pharaohs increased, the maintenance of the cult became one of the most important affairs of state. The most illustrious monarchs prided themselves no less on the buildings they raised in honour of the gods than on the successful wars they waged: indeed the wars won a religious significance through the gradual elevation of the god of the capital to god of the nation, and a large part of the spoils was considered the rightful perquisite of the latter. Countless were the riches that the kings heaped upon the gods in the hope of being requited with long life and prosperity on the throne of the living. It became the theory that the temples were the gifts of the Pharaoh to his fathers the gods, and therefore in the scenes of the cult that adorn the inner walls it is always he who is depicted as performing the ceremonies. As a matter of fact the priesthoods were much more independent than was allowed to appear. Successive grants of land placed no small portion of the entire country in their hands, and the administration of the temple estates gave employment to a large number of officials and serfs. In the New Kingdom the might of the Theban god Ammon gradually became a serious menace to the throne: in the reign of Rameses III. he could boast of more than 80,000 dependants, and more than 400,000 cattle. It is not surprising that a few generations later the high priests of Ammon supplanted the Pharaohs altogether and founded a dynasty of their own.

At no period did the priests form a caste that was quite distinctly separated from the laity. In early times the feudal lords were themselves the chief priests of the local temples. Under them stood a number of subordinate priests, both professional and lay. Among the former were the _kher-heb_, a learned man entrusted with the conduct of the ceremonies, and the "divine fathers," whose functions are obscure. The lay priests were divided into four classes that undertook the management of the temple in alternate months; their collective name was the "hour-priesthood." Perhaps it was to them that the often recurring title _oueb_, "the pure," should properly be restricted, though strict rules as to personal purity, dress and diet were demanded of all priests. The personnel of the temple was completed by various subordinate officials, doorkeepers, attendants and slaves. In the New Kingdom the leading priests were more frequently mere clerics than theretofore, though for instance the high priest of Ammon was often at the same time the vizier of southern Egypt. In some places the highest priests bore special names, such as the _Ouer maa_, "the Great Seer," of Re in Heliopolis, or the _Khorp himet_, "chief artificer," of the Memphite Ptah. Women could also hold priestly rank, though apparently in early times only in the service of goddesses; "priestess of Hathor" is a frequent title of well-born ladies in the Old Kingdom. At a later date many wealthy dames held the office of "musicians" (_shemat_) in the various temples. In the service of the Theban Ammon two priestesses called "the Adorer of the God" and the "Wife of the God" occupied very influential positions, and towards the Saite period it was by no means unusual for the king to secure these offices for his daughters and so to strengthen his own royal title.

5. _The Dead and their Cult._--While the worship of the gods tended more and more to become a monopoly of the state and the priests, and provided no adequate outlet for the religious cravings of the people themselves, this deficiency was amply supplied by the care which they bestowed upon their dead: the Egyptians stand alone among the nations of the world in the elaborate precautions which they took to secure their own welfare beyond the tomb. The belief in immortality, or perhaps rather the incapacity to grasp the notion of complete annihilation, is traceable from the very earliest times: the simplest graves of the prehistoric period, when the corpses were committed to the earth in sheepskins and reed mats, seldom lack at least a few poor vases or articles of toilet for use in the hereafter. In proportion as the prosperity of the land increased, and the advance of civilization afforded the technical means, so did these primitive burials give place to a more lavish funereal equipment. Tombs of brick with a single chamber were succeeded by tombs of stone with several chambers, until they really merited the name of "houses of eternity" that the Egyptians gave to them. The conception of the tomb as the residence of the dead is the fundamental notion that underlies all the ritual observances in connexion with the dead, just as the idea of the temple as the dwelling-place of the god is the basis of the divine cult. The parallelism between the attitude of the Egyptians towards the dead and their attitude towards the gods is so striking that it ought never to be lost sight of: nothing can illustrate it better than the manner in which the Osirian doctrines came to permeate both kinds of cult.

Tombs.

The general scheme of Egyptian tombs remained the same throughout the whole of the dynastic period, though there were many variations of detail. By preference they were built in the Western desert, the Amente, near the place where the sun was seen to go to rest, and which seemed the natural entrance to the nether world. A deep pit led down to the sepulchral chamber where the dead man was deposited amid the funereal furniture destined for his use; and no device was neglected that might enable him to rest here undisturbed. This aim is particularly conspicuous in the pyramids, the gigantic tombs which the Pharaohs of the Old Kingdom constructed for themselves: the passages that lead to the burial chamber were barred at intervals by vast granite blocks, and the narrow opening that gave access to them was hidden from view beneath the stone casing of the pyramid sides. Quite separate from this part of the tomb lay the rooms employed for the cult of the dead: their walls were often adorned with pictures from the earthly life of the deceased, which it was hoped he might still continue to enjoy after death. The innermost chamber was the chapel proper: on its western side was sculptured an imitation door for the dead man to pass through, when he wished to participate in the offerings brought by pious relatives. It was of course only the few who could afford elaborate tombs of the kind: the poor had to make shift with an unpretentious grave, in which the corpse was placed enveloped only by a few rags or enclosed in a rough wooden coffin.

Embalming and burial.

The utmost care was taken to preserve the body itself from decay. Before the time of the Middle Kingdom it became usual for the rich to have their bodies embalmed. The intestines were removed and placed in four vases (the so-called Canopic jars) in which they were supposed to enjoy the protection of the four sons of Horus, the man-headed Mesti, the ape-headed Hapi, the jackal Duamutef and the falcon Kebhsenuf. The corpse was treated with natron and asphalt, and wound in a copious swathing of linen bandage, with a mask of linen and stucco on the face. The "mummy" thus prepared was then laid on its side like a sleeper, the head supported by a head-rest, in a sarcophagus of wood or stone. The operations in connexion with the mummy grow more and more elaborate towards the end of the Pharaonic period: already in the New Kingdom the wealthiest persons had their mummies laid in several coffins, each of which was gaudily painted with mythological scenes and inscriptions. The costliest process of embalmment lasted no less than seventy days. Many superstitious rites had to be observed in the course of the process: a late book has preserved to us the magical formulae that were repeated by the wise _kher-heb_ priest (who in the necropolis performed the functions of taricheutes, "embalmer"), as each bandage was applied.

A large number of utensils, articles of furniture and the like were placed in the burial-chamber for the use of the dead--jars, weapons, mirrors, and even chairs, musical instruments and wigs. In the early times statuettes of servants, representing them as engaged in their various functions (brewers, bakers, &c.), were included for the same purpose; they were supposed to perform their menial functions for their deceased lord in the future life. In the Middle Kingdom these are gradually replaced by small models of the mummy itself, and the belief arose that when their owner was called upon to perform any distasteful work in the nether world, they would answer to his name and do the task for him. The later _ushebti_-figures, little statuettes of wood, stone or faience, of which several hundreds are often found in a single tomb, are confused survivals of both of the earlier classes of statuettes. Still more important than all such funereal objects are the books that were placed in the grave for the use of the dead: in the pyramids they are written on the walls of the sepulchral chamber and the passages leading to it; in the Middle Kingdom usually inscribed on the inner sides of the sarcophagus; in later times contained in rolls of papyrus. The Pyramid texts and the _Book of the Dead_ are the most important of these, and teach us much about the dangers and needs that attended the dead man beyond the tomb, and about the manner in which it was thought they could be counteracted.

The burial ceremony itself must have been an imposing spectacle. In many cases the mummy had to be conveyed across the Nile, and boats were gaily decked out for this purpose. On the western bank a stately procession conducted the deceased to his last resting-place. At the door of the tomb the final ceremonies were performed; they demanded a considerable number of actors, chief among whom were the _sem_-priest and the _kher-heb_ priest. It was a veritable drama that was here enacted, and recalled in its incidents the story of Osiris, the divine prototype of all successive generations of the Egyptian dead.

The soul.

However carefully the preliminary rites of embalmment and burial might have been performed, however sumptuous the tomb wherein the dead man reposed, he was nevertheless almost entirely at the mercy of the living for his welfare in the other world: he was as dependent on a continued cult on the part of the surviving members of his family as the gods were dependent on the constant attendance of their priests. That portion of a man's individuality which required, even after death, food and drink, and the satisfaction of sensuous needs, was called by the Egyptians the _ka_, and represented in hieroglyphs by the uplifted hands [HRG]. This _ka_ was supposed to be born together with the person to whom it belonged, and on the very rare occasions when it is depicted, wears his exact semblance. The conception of this psychical entity is too vaguely formulated by the Egyptians and too foreign to modern thought to admit of exact translation: of the many renderings that have been proposed, perhaps "double" is the most suitable. At all events the _ka_ has to be distinguished from the soul, the _bai_ (in hieroglyphs [HRG] or [HRG]), which was of more tangible nature, and might be descried hovering around the tomb in the form of a bird or in some other shape; for it was thought that the soul might assume what shape it would, if the funerary rites had been duly attended to. The gods had their _ka_ and _bai_, and the forms attributed to the latter are surprising; thus we read that the soul of the sky Nun is Re, that of Osiris the Goat of Mendes, the souls of Sobk are crocodiles, and those "of all the gods are snakes"; similarly the soul of Ptah was thought to dwell in the Apis bull, so that each successive Apis was during its lifetime the reincarnation of the god. Other parts of a man's being to which at given moments and in

## particular contexts the Egyptians assigned a certain degree of

separate existence are the "name" [HRG] _ran_, the "shadow" [HRG], _khaibet_, and the "corpse" [HRG], _khat_.