Part 27

LAWRENCE, SIR THOMAS (1769-1830), English painter, was born at Bristol on the 4th of May 1769. His father was an innkeeper, first at Bristol and afterwards at Devizes, and at the age of six Thomas was already shown off to the guests of the Black Boar as an infant prodigy who could sketch their likenesses and declaim speeches from Milton. In 1779 the elder Lawrence had to leave Devizes, having failed in business, and the precocious talent of the son, who had gained a sort of reputation along the Bath road, became the support of the family. His debut as a crayon portrait painter was made at Oxford, where he was well patronized, and in 1782 the family settled in Bath, where the young artist soon found himself fully employed in taking crayon likenesses of the fashionables of the place at a guinea or a guinea and a half a head. In 1784 he gained the prize and silver-gilt palette of the Society of Arts for a crayon drawing after Raphael's "Transfiguration," and presently beginning to paint in oil. Throwing aside the idea of going on the stage which he had for a short time entertained, he came to London in 1787, was kindly received by Reynolds, and entered as a student at the Royal Academy. He began to exhibit almost immediately, and his reputation increased so rapidly that he became an associate of the Academy in 1791. The death of Sir Joshua in 1792 opened the way to further successes. He was at once appointed painter to the Dilettanti society, and principal painter to the king in room of Reynolds. In 1794 he was a Royal Academician, and he became the fashionable portrait painter of the age, having as his sitters all the rank, fashion and talent of England, and ultimately most of the crowned heads of Europe. In 1815 he was knighted; in 1818 he went to Aix-la-Chapelle to paint the sovereigns and diplomatists gathered there, and visited Vienna and Rome, everywhere receiving flattering marks of distinction from princes, due as much to his courtly manners as to his merits as an artist. After eighteen months he returned to England, and on the very day of his arrival was chosen president of the Academy in room of West, who had died a few days before. This office he held from 1820 to his death on the 7th of January 1830. He was never married.

Sir Thomas Lawrence had all the qualities of personal manner and artistic style necessary to make a fashionable painter, and among English portrait painters he takes a high place, though not as high as that given to him in his lifetime. His more ambitious works, in the classical style, such as his once celebrated "Satan," are practically forgotten.

The best display of Lawrence's work is in the Waterloo Gallery of Windsor, a collection of much historical interest. "Master Lambton," painted for Lord Durham at the price of 600 guineas, is regarded as one of his best portraits, and a fine head in the National Gallery, London, shows his power to advantage. The _Life and Correspondence of Sir T. Lawrence_, by D. E. Williams, appeared in 1831.

LAWRENCE, a city and the county-seat of Douglas county, Kansas, U.S.A., situated on both banks of the Kansas river, about 40 m. W. of Kansas City. Pop. (1890) 9997, (1900) 10,862, of whom 2032 were negroes, (1910 census) 12,374. It is served by the Atchison, Topeka & Santa Fe and the Union Pacific railways, both having tributary lines extending N. and S. Lawrence is surrounded by a good farming region, and is itself a thriving educational and commercial centre. Its site slopes up from the plateau that borders the river to the heights above, from which there is a view of rare beauty. Among the city's principal public buildings are the court house and the Y.M.C.A. building. The university of Kansas, situated on Mount Oread, overlooking the city, was first opened in 1866, and in 1907-1908 had a faculty of 105 and 2063 students, including 702 women (see KANSAS). Just S. of the city of Lawrence is Haskell institute (1884), one of the largest Indian schools in the country, maintained for children of the tribal Indians by the national government. In 1907 the school had 813 students, of whom 313 were girls; it has an academic department, a business school and courses in domestic science, in farming, dairying and gardening, and in masonry, carpentry, painting, blacksmithing, waggon-making, shoemaking, steam-fitting, printing and other trades. Among the city's manufactures are flour and grist mill products, pianos and cement plaster. Lawrence, named in honour of Amos A. Lawrence, was founded by agents of the Massachusetts Emigrant Aid Company in July 1854, and during the Territorial period was the political centre of the free-state cause and the principal point against which the assaults of the pro-slavery party were directed. It was first known as Wakarusa, from the creek by which it lies. A town association was organized in September 1854 before any Territorial government had been established. In the next month some pro-slavery men presented claims to a part of the land, projected a rival town to be called Excelsior on the same site, and threatened violence; but when Lawrence had organized its "regulators" the pro-slavery men retired and later agreed to a compromise by which the town site was limited to 640 acres. In December 1855 occurred the "Wakarusa war." A free-state man having been murdered for his opinions, a friend who threatened retaliation was arrested by the pro-slavery sheriff, S. J. Jones; he was rescued and taken to Lawrence; the city disclaimed complicity, but Jones persuaded Governor Wilson Shannon that there was rebellion, and Shannon authorized a posse; Missouri responded, and a pro-slavery force marched on Lawrence. The governor found that Lawrence had not resisted and would not resist the service of writs; by a written "agreement" with the free-state leaders he therefore withdrew his sanction from the Missourians and averted battle. The retreating Missourians committed some homicides. It was during this "war" that John Brown first took up arms with the free-state men. Preparations for another attack continued,

## particularly after Sheriff Jones, while serving writs in Lawrence, was

wounded. On the 21st of May 1856, at the head of several hundred Missourians, he occupied the city without resistance, destroyed its printing offices and the free-state headquarters and pillaged private houses. In 1855 and again in 1857 the pro-slavery Territorial legislature passed an Act giving Lawrence a charter, but the people of Lawrence would not recognize that "bogus" government, and on the 13th of July 1857, after an application to the Topeka free-state legislature for a charter had been denied, adopted a city charter of their own. Governor Walker proclaimed this rebellion against the United States, appeared before the town in command of 400 United States dragoons and declared it under martial law; as perfect order prevailed, and there was no overt resistance to Territorial law, the troops were withdrawn after a few weeks by order of President Buchanan, and in February 1858 the legislature passed an Act legalizing the city charter of July 1857. On the 21st of August 1863 William C. Quantrell and some 400 mounted Missouri bushrangers surprised the sleeping town and murdered 150 citizens. The city's arms were in storage and no resistance was possible. This was the most distressing episode in all the turbulence of territorial days and border warfare in Kansas. A monument erected in 1895 commemorates the dead. After the free-state men gained control of the Territorial legislature in 1857 the legislature regularly adjourned from Lecompton, the legal capital, to Lawrence, which was practically the capital until the choice of Topeka under the Wyandotte constitution. The first railway to reach Lawrence was the Union Pacific in 1864.

See F. W. Blackmar, "The Annals of an Historic Town," in the _Annual Report_ of the American Historical Association for 1893 (Washington, 1894).

LAWRENCE, a city, and one of the three county-seats (Salem and Newburyport are the others) of Essex county, Massachusetts, U.S.A., on both sides of the Merrimac river, about 30 m. from its mouth and about 26 m. N.N.W. of Boston. Pop. (1890) 44,654, (1900) 62,559, of whom 28,577 were foreign-born (7058 being Irish, 6999 French Canadians, 5131 English, 2465 German, 1683 English Canadian), and (1910 census) 85,892. It is served by the Boston & Maine railroad and by electric railways to Andover, Boston, Lowell, Haverhill and Salem, Massachusetts, and to Nashua and Salem, New Hampshire. The city's area of 6.54 sq. m. is about equally divided by the Merrimac, which is here crossed by a great stone dam 900 ft. long, and, with a fall of 28 ft., supplies about 12,000 horsepower. Water from the river is carried to factories by a canal on each side of the river and parallel to it; the first canal was built on the north side in 1845-1847 and is 1 m. long; the canal on the south side is about ¾ m. long, and was built several years later. There are large and well-kept public parks, a common (17 acres) with a soldiers' monument, a free public library, with more than 50,000 volumes in 1907, a city hall, county and municipal court-houses, a county gaol and house of correction, a county industrial school and a state armoury.

The value of the city's factory product was $48,036,593 in 1905, $41,741,980 in 1900. The manufacture of textiles is the most important industry; in 1905 the city produced worsteds valued at $30,926,964 and cotton goods worth $5,745,611, the worsted product being greater than that of any other American city. The Wood worsted mill here is said to be the largest single mill in the world. The history of Lawrence is largely the history of its textile mills. The town was formed in 1845 from parts of Andover (S. of the Merrimac) and of Methuen (N. of the river), and it was incorporated as a town in 1847, being named in honour of Abbott Lawrence, a director of the Essex company, organized in 1845 (on the same day as the formation of the town) for the control of the water power and for the construction of the great dam across the Merrimac. The Bay State woollen mills, which in 1858 became the Washington mills, and the Atlantic cotton mills were both chartered in 1846. The Pacific mills (1853) introduced from England in 1854 Lister combs for worsted manufacture; and the Washington mills soon afterward began to make worsted dress goods. Worsted cloths for men's wear seem to have been made first about 1870 at nearly the same time in the Washington mills here, in the Hockanum mills of Rockville, Connecticut, and in Wanskuck mills, Providence, Rhode Island. The Pemberton mills, built in 1853, collapsed and afterwards took fire on the 10th of January 1860; 90 were killed and hundreds severely injured. Lawrence was chartered as a city in 1853, and annexed a small part of Methuen in 1854 and parts of Andover and North Andover in 1879.

See H. A. Wadsworth, _History of Lawrence, Massachusetts_ (Lawrence, 1880).

LAWRENCEBURG, a city and the county-seat of Dearborn county, Indiana, U.S.A., on the Ohio river, in the S.E. part of the state, 22 m. (by rail) W. of Cincinnati. Pop. (1890) 4284, (1900) 4326 (413 foreign-born); (1910) 3930. Lawrenceburg is served by the Baltimore & Ohio South-Western and the Cleveland, Cincinnati, Chicago & St Louis railways, by the Cincinnati, Lawrenceburg & Aurora electric street railroad, and by river packets to Louisville and Cincinnati. The city lies along the river and on higher land rising 100 ft. above river-level. It formerly had an important river trade with New Orleans, beginning about 1820 and growing in volume after the city became the terminus of the Whitewater canal, begun in 1836. The place was laid out in 1802. In 1846 an "old" and a "new" settlement were united, and Lawrenceburg was chartered as a city. Lawrenceburg was the birthplace of James B. Eads, the famous engineer, and of John Coit Spooner (b. 1843), a prominent Republican member of the United States Senate from Wisconsin in 1885-1891 and in 1897-1907; and the Presbyterian Church of Lawrenceburg was the first charge (1837-1839) of Henry Ward Beecher.

LAWSON, CECIL GORDON (1851-1882), English landscape painter, was the youngest son of William Lawson of Edinburgh, esteemed as a portrait painter. His mother also was known for her flower pieces. He was born near Shrewsbury on the 3rd of December 1851. Two of his brothers (one of them, Malcolm, a clever musician and song-writer) were trained as artists, and Cecil was from childhood devoted to art with the intensity of a serious nature. Soon after his birth the Lawsons moved to London. Lawson's first works were studies of fruit, flowers, &c., in the manner of W. Hunt; followed by riverside Chelsea subjects. His first exhibit at the Royal Academy (1870) was "Cheyne Walk," and in 1871 he sent two other Chelsea subjects. These gained full recognition from fellow-artists, if not from the public. Among his friends were now numbered Fred Walker, G. J. Pinwell and their associates. Following them, he made a certain number of drawings for wood-engraving. Lawson's Chelsea pictures had been painted in somewhat low and sombre tones; in the "Hymn to Spring" of 1872 (rejected by the Academy) he turned to a more joyous play of colour, helped by work in more romantic scenes in North Wales and Ireland. Early in 1874 he made a short tour in Holland, Belgium and Paris; and in the summer he painted his large "Hop Gardens of England." This was much praised at the Academy of 1876. But Lawson's triumph was with the great luxuriant canvas "The Minister's Garden," exhibited in 1878 at the Grosvenor Gallery, and now in the Manchester Art Gallery. This was followed by several works conceived in a new and tragic mood. His health began to fail, but he worked on. He married in 1879 the daughter of Birnie Philip, and settled at Haslemere. His later subjects are from this neighbourhood (the most famous being "The August Moon," now in the National Gallery of British Art) or from Yorkshire. Towards the end of 1881 he went to the Riviera, returned in the spring, and died at Haslemere on the 10th of June 1882. Lawson may be said to have restored to English landscape the tradition of Gainsborough, Crome and Constable, infused with an imaginative intensity of his own. Among English landscape painters of the latter part of the 19th century his is in many respects the most interesting name.

See E. W. Gosse, _Cecil Lawson, a Memoir_ (1883); Heseltine Owen, "In Memoriam: Cecil Gordon Lawson," _Magazine of Art_ (1894). (L. B.)

LAWSON, SIR JOHN (d. 1665), British sailor, was born at Scarborough. Joining the parliamentary navy in 1642, he accompanied Penn to the Mediterranean in 1650, where he served for some time. In 1652 he served under Blake in the Dutch War and was present at the first action in the Downs and the battle of the Kentish Knock. At Portland, early in 1653, he was vice-admiral of the red, and his ship was severely handled. Lawson took part in the battles of June and July in the following summer. In 1654-1655 he commanded in the North Sea and the Channel. Appointed in January 1655-1656 as Blake's second-in-command, Lawson was a few weeks later summarily dismissed from his command, probably for political reasons. He was a Republican and Anabaptist, and therefore an enemy to Cromwell. It is not improbable that like Penn and others he was detected in correspondence with the exiled Charles II., who certainly hoped for his support. In 1657, along with Harrison and others, he was arrested and, for a short time, imprisoned for conspiring against Cromwell. Afterwards he lived at Scarborough until the fall of Richard Cromwell's government. During the troubled months which succeeded that event Lawson, flying his flag as admiral of the Channel fleet, played a marked political rôle. His ships escorted Charles to England, and he was soon afterwards knighted. Sent out in 1661 with Montagu, earl of Sandwich, to the Mediterranean, Lawson conducted a series of campaigns against the piratical states of the Algerian coast. Thence summoned to a command in the Dutch War, he was mortally wounded at Lowestoft. He died on the 29th of June 1665.

See Charnock, _Biographia navalis_, i. 20; Campbell, _Lives of the Admirals_, ii. 251; Penn, _Life of Sir William Penn_; Pepys, _Diary_.

LAWSON, SIR WILFRID, Bart. (1829-1906), English politician and temperance leader, son of the 1st baronet (d. 1867), was born on the 4th of September 1829. He was always an enthusiast in the cause of total abstinence, and in parliament, to which he was first elected in 1859 for Carlisle, he became its leading spokesman. In 1864 he first introduced his Permissive Bill, giving to a two-thirds majority in any district a veto upon the granting of licences for the sale of intoxicating liquors; and though this principle failed to be embodied in any act, he had the satisfaction of seeing a resolution on its lines accepted by a majority in the House of Commons in 1880, 1881 and 1883. He lost his seat for Carlisle in 1865, but in 1868 was again returned as a supporter of Mr Gladstone, and was member till 1885; though defeated for the new Cockermouth division of Cumberland in 1885, he won that seat in 1886, and he held it till the election of 1900, when his violent opposition to the Boer War caused his defeat, but in 1903 he was returned for the Camborne division of Cornwall and at the general election of 1906 was once more elected for his old constituency in Cumberland. During all these years he was the champion of the United Kingdom Alliance (founded 1853), of which he became president. An extreme Radical, he also supported disestablishment, abolition of the House of Lords, and disarmament. Though violent in the expression of his opinions, Sir Wilfrid Lawson remained very popular for his own sake both in and out of the House of Commons; he became well known for his humorous vein, his faculty for composing topical doggerel being often exercised on questions of the day. He died on the 1st of July 1906.

LAY, a word of several meanings. Apart from obsolete and dialectical usages, such as the East Anglian word meaning "pond," possibly cognate with Lat. _lacus_, pool or lake, or its use in weaving for the batten of a loom, where it is a variant form of "lath," the chief uses are as follows: (1) A song or, more accurately, a short poem, lyrical or narrative, which could be sung or accompanied by music; such were the romances sung by minstrels. Such an expression as the "Lay of the Nibelungen" is due to mistaken association of the word with Ger. _Lied_, song, which appears in Anglo-Saxon as _léoð_. "Lay" comes from O. Fr. _lai_, of which the derivation is doubtful. The _New English Dictionary_ rejects Celtic origins sometimes put forward, such as Ir. _laoidh_, Welsh _llais_, and takes O. Mid. and High Ger. _leich_ as the probable source. (2) "Non-clerical" or "unlearned." In this sense "lay" comes directly from Fr. _lai_ (_laïque_, the learned form nearer to the Latin, is now used) from Lat. _laicus_, Gr. [Greek: laikos], of or belonging to the people ([Greek: laos], Attic [Greek: leôs]). The word is now specially applied to persons who are not in orders, and more widely to those who do not belong to other learned professions, particularly the law and medicine. The _New English Dictionary_ quotes two examples from versions of the Bible. In the Douai version of 1 Sam. xxi. 4, Ahimelech tells David that he has "no lay bread at hand but only holy bread"; here the Authorized Version has "common bread," the Vulgate _laicos panes_. In Coverdale's version of Acts iv. 13, the high priest and his kindred marvel at Peter and John as being "unlearned and lay people"; the Authorized Version has "unlearned and ignorant men." In a cathedral of the Church of England "lay clerks" and "lay vicars" sing such portions of the service as may be performed by laymen and clergy in minor orders. "Lay readers" are persons who are granted a commission by the bishop to perform certain religious duties in a particular parish. The commission remains in force until it is revoked by the bishop or his successors, or till there is a new incumbent in the parish, when it has to be renewed. In a religious order a "lay brother" is freed from duties at religious services performed by the other members, and from their studies, but is bound by vows of obedience and chastity and serves the order by manual labour. For "lay impropriator" see APPROPRIATION, and for "lay rector" see RECTOR and TITHES; see further LAYMEN, HOUSE OF. (3) "Lay" as a verb means "to make to lie down," "to place upon the ground," &c. The past tense is "laid"; it is vulgarly confused with the verb "to lie," of which the past is "lay." The common root of both "lie" and "lay" is represented by O. Teut. _leg_; cf. Dutch _leggen_, Ger. _legen_, and Eng. "ledge."[1] (4) "Lay-figure" is the name commonly given to articulated figures of human beings or animals, made of wood, papier-maché or other materials; draped and posed, such figures serve as models for artists (see MODELS, ARTISTS). The word has no connexion with "to lay," to place in position, but is an adaptation of the word "layman," commonly used with this meaning in the 18th century. This was adapted from Dutch _leeman_ (the older form is _ledenman_) and meant an "articulated or jointed man" from _led_, now _lid_, a joint; cf. Ger. _Gliedermann_.

FOOTNOTE:

[1] The verb "to lie," to speak falsely, to tell a falsehood, is in O. Eng. _léogan_; it appears in most Teutonic languages, e.g. Dutch _lugen_, Ger. _lügen_.

LAYA, JEAN LOUIS (1761-1833), French dramatist, was born in Paris on the 4th of December 1761 and died in August 1833. He wrote his first comedy in collaboration with Gabriel M. J. B. Legouvé in 1785, but the piece, though accepted by the Comédie Française, was never represented. In 1789 he produced a plea for religious toleration in the form of a five-act tragedy in verse, _Jean Calas_; the injustice of the disgrace cast on a family by the crime of one of its members formed the theme of _Les Dangers de l'opinion_ (1790); but it is by his _Ami des lois_ (1793) that Laya is remembered. This energetic protest against mob-rule, with its scarcely veiled characterizations of Robespierre as Nomophage and of Marat as Duricrâne, was an act of the highest courage, for the play was produced at the Théâtre Français (temporarily Théâtre de la Nation) only nineteen days before the execution of Louis XVI. Ten days after its first production the piece was prohibited by the commune, but the public demanded its representation; the mayor of Paris was compelled to appeal to the convention, and the piece was played while some 30,000 Parisians guarded the hall. Laya went into hiding, and several persons convicted of having a copy of the obnoxious play in their possession were guillotined. At the end of the Terror Laya returned to Paris. In 1813 he replaced Delille in the Paris chair of literary history and French poetry; he was admitted to the Academy in 1817. Laya produced in 1797 _Les Deux Stuarts_, and in 1799 _Falkland_, the title-rôle of which provided Talma with one of his finest opportunities. Laya's works, which chiefly owe their interest to the circumstances attending their production, were collected in 1836-1837.

See _Notice biographique sur J. L. Laya_ (1833); Ch. Nodier, _Discours de réception_, 26th December (1833); Welschinger, _Théâtre de la révolution_ (1880).