Chapter 119 of 264 · 3730 words · ~19 min read

Part 119

We have been obliged to take notice of the extraordinary tendency of American women to cultivation, to the improvement of the mind, by means of reading, clubs, and other intellectual exercises, and to acknowledge that they are leaving the men behind; that is, the men not in the so-called professions. Is this intellectualization beginning to show in the conversation of women when they are together, say in the hours of relaxation in the penetralia spoken of, or in general society? Is there less talk about the fashion of dress, and the dearness or cheapness of materials, and about servants, and the ways of the inchoate citizen called the baby, and the infinitely little details of the private life of other people? Is it true that if a group of men are talking, say about politics, or robust business, or literature, and they are joined by women (whose company is always welcome), the conversation is pretty sure to take a lower mental plane, to become more personal, more frivolous, accommodating itself to quite a different range? Do the well-read, thoughtful women, however beautiful and brilliant and capable of the gayest persiflage, prefer to talk with men, to listen to the conversation of men, rather than to converse with or listen to their own sex? If this is true, why is it? Women, as a rule, in "society" at any rate, have more leisure than men. In the facilities and felicities of speech they commonly excel men, and usually they have more of that vivacious dramatic power which is called "setting out a thing to the life." With all these advantages, and all the world open to them in newspapers and in books, they ought to be the leaders and stimulators of the best conversation. With them it should never drop down to the too-common flatness and banality. Women have made this world one of the most beautiful places of residence to be conceived. They might make it one of the most interesting.

THE TALL GIRL

It is the fashion for girls to be tall. This is much more than saying that tall girls are the fashion. It means not only that the tall girl has come in, but that girls are tall, and are becoming tall, because it is the fashion, and because there is a demand for that sort of girl. There is no hint of stoutness, indeed the willowy pattern is preferred, but neither is leanness suggested; the women of the period have got hold of the poet's idea, "tall and most divinely fair," and are living up to it. Perhaps this change in fashion is more noticeable in England and on the Continent than in America, but that may be because there is less room for change in America, our girls being always of an aspiring turn. Very marked the phenomenon is in England; on the street, at any concert or reception, the number of tall girls is so large as to occasion remark, especially among the young girls just coming into the conspicuousness of womanhood. The tendency of the new generation is towards unusual height and gracious slimness. The situation would be embarrassing to thousands of men who have been too busy to think about growing upward, were it not for the fact that the tall girl, who must be looked up to, is almost invariably benignant, and bears her height with a sweet timidity that disarms fear. Besides, the tall girl has now come on in such force that confidence is infused into the growing army, and there is a sense of support in this survival of the tallest that is very encouraging to the young.

Many theories have been put forward to account for this phenomenon. It is known that delicate plants in dark places struggle up towards the light in a frail slenderness, and it is said that in England, which seems to have increasing cloudiness, and in the capital more and more months of deeper darkness and blackness, it is natural that the British girl should grow towards the light. But this is a fanciful view of the case, for it cannot be proved that English men have proportionally increased their stature. The English man has always seemed big to the Continental peoples, partly because objects generally take on gigantic dimensions when seen through a fog. Another theory, which has much more to commend it, is that the increased height of women is due to the aesthetic movement, which has now spent its force, but has left certain results, especially in the change of the taste in colors. The woman of the aesthetic artist was nearly always tall, usually willowy, not to say undulating and serpentine. These forms of feminine loveliness and commanding height have been for many years before the eyes of the women of England in paintings and drawings, and it is unavoidable that this pattern should not have its effect upon the new and plastic generation. Never has there been another generation so open to new ideas; and if the ideal of womanhood held up was that of length and gracious slenderness, it would be very odd if women should not aspire to it. We know very well the influence that the heroines of the novelists have had from time to time upon the women of a given period. The heroine of Scott was, no doubt, once common in society--the delicate creature who promptly fainted on the reminiscence of the scent of a rose, but could stand any amount of dragging by the hair through underground passages, and midnight rides on lonely moors behind mailed and black-mantled knights, and a run or two of hair-removing typhoid fever, and come out at the end of the story as fresh as a daisy. She could not be found now, so changed are the requirements of fiction. We may assume, too, that the full-blown aesthetic girl of that recent period--the girl all soul and faded harmonies--would be hard to find, but the fascination of the height and slenderness of that girl remains something more than a tradition, and is, no doubt, to some extent copied by the maiden just coming into her kingdom.

Those who would belittle this matter may say that the appearance of which we speak is due largely to the fashion of dress--the long unbroken lines which add to the height and encourage the appearance of slenderness. But this argument gives away the case. Why do women wear the present fascinating gowns, in which the lithe figure is suggested in all its womanly dignity? In order that they may appear to be tall. That is to say, because it is the fashion to be tall; women born in the mode are tall, and those caught in a hereditary shortness endeavor to conform to the stature of the come and coming woman.

There is another theory, that must be put forward with some hesitation, for the so-called emancipation of woman is a delicate subject to deal with, for while all the sex doubtless feel the impulse of the new time, there are still many who indignantly reject the implication in the struggle for the rights of women. To say, therefore, that women are becoming tall as a part of their outfit for taking the place of men in this world would be to many an affront, so that this theory can only be suggested. Yet probably physiology would bear us out in saying that the truly emancipated woman, taking at last the place in affairs which men have flown in the face of Providence by denying her, would be likely to expand physically as well as mentally, and that as she is beginning to look down upon man intellectually, she is likely to have a corresponding physical standard.

Seriously, however, none of these theories are altogether satisfactory, and we are inclined to seek, as is best in all cases, the simplest explanation. Women are tall and becoming tall simply because it is the fashion, and that statement never needs nor is capable of any explanation. Awhile ago it was the fashion to be petite and arch; it is now the fashion to be tall and gracious, and nothing more can be said about it. Of course the reader, who is usually inclined to find the facetious side of any grave topic, has already thought of the application of the self-denying hymn, that man wants but little here below, and wants that little long; but this may be only a passing sigh of the period. We are far from expressing any preference for tall women over short women. There are creative moods of the fancy when each seems the better. We can only chronicle, but never create.

THE DEADLY DIARY

Many people regard the keeping of a diary as a meritorious occupation. The young are urged to take up this cross; it is supposed to benefit girls especially. Whether women should do it is to some minds not an open question, although there is on record the case of the Frenchman who tried to shoot himself when he heard that his wife was keeping a diary. This intention of suicide may have arisen from the fear that his wife was keeping a record of his own peccadilloes rather than of her own thoughts and emotions. Or it may have been from the fear that she was putting down those little conjugal remarks which the husband always dislikes to have thrown up to him, and which a woman can usually quote accurately, it may be for years, it may be forever, without the help of a diary. So we can appreciate without approving the terror of the Frenchman at living on and on in the same house with a growing diary. For it is not simply that this little book of judgment is there in black and white, but that the maker of it is increasing her power of minute observation and analytic expression. In discussing the question whether a woman should keep a diary it is understood that it is not a mere memorandum of events and engagements, such as both men and women of business and affairs necessarily keep, but the daily record which sets down feelings, emotions, and impressions, and criticises people and records opinions. But this is a question that applies to men as well as to women.

It has been assumed that the diary serves two good purposes: it is a disciplinary exercise for the keeper of it, and perhaps a moral guide; and it has great historical value. As to the first, it may be helpful to order, method, discipline, and it may be an indulgence of spleen, whims, and unwholesome criticism and conceit. The habit of saying right out what you think of everybody is not a good one, and the record of such opinions and impressions, while it is not so mischievous to the public as talking may be, is harmful to the recorder. And when we come to the historical value of the diary, we confess to a growing suspicion of it. It is such a deadly weapon when it comes to light after the passage of years. It has an authority which the spoken words of its keeper never had. It is 'ex parte', and it cannot be cross-examined. The supposition is that being contemporaneous with the events spoken of, it must be true, and that it is an honest record. Now, as a matter of fact, we doubt if people are any more honest as to themselves or others in a diary than out of it; and rumors, reported facts, and impressions set down daily in the heat and haste of the prejudicial hour are about as likely to be wrong as right. Two diaries of the same events rarely agree. And in turning over an old diary we never know what to allow for the personal equation. The diary is greatly relied on by the writers of history, but it is doubtful if there is any such liar in the world, even when the keeper of it is honest. It is certain to be partisan, and more liable to be misinformed than a newspaper, which exercises some care in view of immediate publicity. The writer happens to know of two diaries which record, on the testimony of eye-witnesses, the circumstances of the last hours of Garfield, and they differ utterly in essential particulars. One of these may turn up fifty years from now, and be accepted as true. An infinite amount of gossip goes into diaries about men and women that would not stand the test of a moment's contemporary publication. But by-and-by it may all be used to smirch or brighten unjustly some one's character. Suppose a man in the Army of the Potomac had recorded daily all his opinions of men and events. Reading it over now, with more light and a juster knowledge of character and of measures, is it not probable that he would find it a tissue of misconceptions? Few things are actually what they seem today; they are colored both by misapprehensions and by moods. If a man writes a letter or makes report of an occurrence for immediate publication, subject to universal criticism, there is some restraint on him. In his private letter, or diary especially, he is apt to set down what comes into his head at the moment, often without much effort at verification.

We have been led to this disquisition into the fundamental nature of this private record by the question put to us, whether it is a good plan for a woman to keep a diary. Speaking generally, the diary has become a sort of fetich, the authority of which ought to be overthrown. It is fearful to think how our characters are probably being lied away by innumerable pen scratches in secret repositories, which may some day come to light as unimpeachable witnesses. The reader knows that he is not the sort of man which the diarist jotted him down to be in a single interview. The diary may be a good thing for self-education, if the keeper could insure its destruction. The mental habit of diarizing may have some value, even when it sets undue importance upon trifles. We confess that, never having seen a woman's private diary (except those that have been published), we do not share the popular impression as to their tenuity implied in the question put to us. Taking it for granted that they are full of noble thoughts and beautiful imaginings, we doubt whether the time spent on them could not be better employed in acquiring knowledge or taking exercise. For the diary forgotten and left to the next generation may be as dangerous as dynamite.

THE WHISTLING GIRL

The wisdom of our ancestors packed away in proverbial sayings may always be a little suspected. We have a vague respect for a popular proverb, as embodying folk-experience, and expressing not the wit of one, but the common thought of a race. We accept the saying unquestioning, as a sort of inspiration out of the air, true because nobody has challenged it for ages, and probably for the same reason that we try to see the new moon over our left shoulder. Very likely the musty saying was the product of the average ignorance of an unenlightened time, and ought not to have the respect of a scientific and traveled people. In fact it will be found that a large proportion of the proverbial sayings which we glibly use are fallacies based on a very limited experience of the world, and probably were set afloat by the idiocy or prejudice of one person. To examine one of them is enough for our present purpose.

"Whistling girls and crowing hens Always come to some bad ends."

It would be interesting to know the origin of this proverb, because it is still much relied on as evincing a deep knowledge of human nature, and as an argument against change, that is to say, in this case, against progress. It would seem to have been made by a man, conservative, perhaps malevolent, who had no appreciation of a hen, and a conservatively poor opinion of woman. His idea was to keep woman in her place--a good idea when not carried too far--but he did not know what her place is, and he wanted to put a sort of restraint upon her emancipation by coupling her with an emancipated hen. He therefore launched this shaft of ridicule, and got it to pass as an arrow of wisdom shot out of a popular experience in remote ages.

In the first place, it is not true, and probably never was true even when hens were at their lowest. We doubts its Sanscrit antiquity. It is perhaps of Puritan origin, and rhymed in New England. It is false as to the hen. A crowing hen was always an object of interest and distinction; she was pointed out to visitors; the owner was proud of her accomplishment, he was naturally likely to preserve her life, and especially if she could lay. A hen that can lay and crow is a 'rara avis'. And it should be parenthetically said here that the hen who can crow and cannot lay is not a good example for woman. The crowing hen was of more value than the silent hen, provided she crowed with discretion; and she was likely to be a favorite, and not at all to come to some bad end. Except, indeed, where the proverb tended to work its own fulfillment. And this is the regrettable side of most proverbs of an ill-nature, that they do help to work the evil they predict. Some foolish boy, who had heard this proverb, and was sent out to the hen-coop in the evening to slay for the Thanksgiving feast, thought he was a justifiable little providence in wringing the neck of the crowing hen, because it was proper (according to the saying) that she should come to some bad end. And as years went on, and that kind of boy increased and got to be a man, it became a fixed idea to kill the amusing, interesting, spirited, emancipated hen, and naturally the barn-yard became tamer and tamer, the production of crowing hens was discouraged (the wise old hens laid no eggs with a crow in them, according to the well-known principle of heredity), and the man who had in his youth exterminated the hen of progress actually went about quoting that false couplet as an argument against the higher education of woman.

As a matter of fact, also, the couplet is not true about woman; whether it ought to be true is an ethical question that will not be considered here. The whistling girl does not commonly come to a bad end. Quite as often as any other girl she learns to whistle a cradle song, low and sweet and charming, to the young voter in the cradle. She is a girl of spirit, of independence of character, of dash and flavor; and as to lips, why, you must have some sort of presentable lips to whistle; thin ones will not. The whistling girl does not come to a bad end at all (if marriage is still considered a good occupation), except a cloud may be thrown upon her exuberant young life by this rascally proverb. Even if she walks the lonely road of life, she has this advantage, that she can whistle to keep her courage up. But in a larger sense, one that this practical age can understand, it is not true that the whistling girl comes to a bad end. Whistling pays. It has brought her money; it has blown her name about the listening world. Scarcely has a non-whistling woman been more famous. She has set aside the adage. She has done so much towards the emancipation of her sex from the prejudice created by an ill-natured proverb which never had root in fact.

But has the whistling woman come to stay? Is it well for woman to whistle? Are the majority of women likely to be whistlers? These are serious questions, not to be taken up in a light manner at the end of a grave paper. Will woman ever learn to throw a stone? There it is. The future is inscrutable. We only know that whereas they did not whistle with approval, now they do; the prejudice of generations gradually melts away. And woman's destiny is not linked with that of the hen, nor to be controlled by a proverb--perhaps not by anything.

BORN OLD AND RICH

We have been remiss in not proposing a remedy for our present social and economic condition. Looking backward, we see this. The scheme may not be practical, any more than the Utopian plans that have been put forward, but it is radical and interesting, and requires, as the other schemes do, a total change in human nature (which may be a good thing to bring about), and a general recasting of the conditions of life. This is and should be no objection to a socialistic scheme. Surface measures will not avail. The suggestion for a minor alleviation of inequality, which seems to have been acted on, namely, that women should propose, has not had the desired effect if it is true, as reported, that the eligible young men are taking to the woods. The workings of such a measure are as impossible to predict in advance as the operation of the McKinley tariff. It might be well to legislate that people should be born equal (including equal privileges of the sexes), but the practical difficulty is to keep them equal. Life is wrong somehow. Some are born rich and some are born poor, and this inequality makes misery, and then some lose their possessions, which others get hold of, and that makes more misery. We can put our fingers on the two great evils of life as it now is: the first is poverty; and the second is infirmity, which is the accompaniment of increasing years. Poverty, which is only the unequal distribution of things desired, makes strife, and is the opportunity of lawyers; and infirmity is the excuse for doctors. Think what the world would be without lawyers and doctors!