Part 34
We had built our bark camp one summer and were staying on one of the popular lakes of the Saranac region. It would be a very pretty region if it were not so flat, if the margins of the lakes had not been flooded by dams at the outlets, which have killed the trees, and left a rim of ghastly deadwood like the swamps of the under-world pictured by Dore's bizarre pencil,--and if the pianos at the hotels were in tune. It would be an excellent sporting region also (for there is water enough) if the fish commissioners would stock the waters, and if previous hunters had not pulled all the hair and skin off from the deers' tails. Formerly sportsmen had a habit of catching the deer by the tails, and of being dragged in mere wantonness round and round the shores. It is well known that if you seize a deer by this "holt" the skin will slip off like the peel from a banana--This reprehensible practice was carried so far that the traveler is now hourly pained by the sight of peeled-tail deer mournfully sneaking about the wood.
We had been hearing, for weeks, of a small lake in the heart of the virgin forest, some ten miles from our camp, which was alive with trout, unsophisticated, hungry trout: the inlet to it was described as stiff with them. In my imagination I saw them lying there in ranks and rows, each a foot long, three tiers deep, a solid mass. The lake had never been visited except by stray sable hunters in the winter, and was known as the Unknown Pond. I determined to explore it, fully expecting, however, that it would prove to be a delusion, as such mysterious haunts of the trout usually are. Confiding my purpose to Luke, we secretly made our preparations, and stole away from the shanty one morning at daybreak. Each of us carried a boat, a pair of blankets, a sack of bread, pork, and maple-sugar; while I had my case of rods, creel, and book of flies, and Luke had an axe and the kitchen utensils. We think nothing of loads of this sort in the woods.
Five miles through a tamarack swamp brought us to the inlet of Unknown Pond, upon which we embarked our fleet, and paddled down its vagrant waters. They were at first sluggish, winding among triste fir-trees, but gradually developed a strong current. At the end of three miles a loud roar ahead warned us that we were approaching rapids, falls, and cascades. We paused. The danger was unknown. We had our choice of shouldering our loads and making a detour through the woods, or of "shooting the rapids." Naturally we chose the more dangerous course. Shooting the rapids has often been described, and I will not repeat the description here. It is needless to say that I drove my frail bark through the boiling rapids, over the successive waterfalls, amid rocks and vicious eddies, and landed, half a mile below with whitened hair and a boat half full of water; and that the guide was upset, and boat, contents, and man were strewn along the shore.
After this common experience we went quickly on our journey, and, a couple of hours before sundown, reached the lake. If I live to my dying day, I never shall forget its appearance. The lake is almost an exact circle, about a quarter of a mile in diameter. The forest about it was untouched by axe, and unkilled by artificial flooding. The azure water had a perfect setting of evergreens, in which all the shades of the fir, the balsam, the pine, and the spruce were perfectly blended; and at intervals on the shore in the emerald rim blazed the ruby of the cardinal flower. It was at once evident that the unruffled waters had never been vexed by the keel of a boat. But what chiefly attracted my attention, and amused me, was the boiling of the water, the bubbling and breaking, as if the lake were a vast kettle, with a fire underneath. A tyro would have been astonished at this common phenomenon; but sportsmen will at once understand me when I say that the water boiled with the breaking trout. I studied the surface for some time to see upon what sort of flies they were feeding, in order to suit my cast to their appetites; but they seemed to be at play rather than feeding, leaping high in the air in graceful curves, and tumbling about each other as we see them in the Adirondack pictures.
It is well known that no person who regards his reputation will ever kill a trout with anything but a fly. It requires some training on the part of the trout to take to this method. The uncultivated, unsophisticated trout in unfrequented waters prefers the bait; and the rural people, whose sole object in going a-fishing appears to be to catch fish, indulge them in their primitive taste for the worm. No sportsman, however, will use anything but a fly, except he happens to be alone.
While Luke launched my boat and arranged his seat in the stern, I prepared my rod and line. The rod is a bamboo, weighing seven ounces, which has to be spliced with a winding of silk thread every time it is used. This is a tedious process; but, by fastening the joints in this way, a uniform spring is secured in the rod. No one devoted to high art would think of using a socket joint. My line was forty yards of untwisted silk upon a multiplying reel. The "leader" (I am very particular about my leaders) had been made to order from a domestic animal with which I had been acquainted. The fisherman requires as good a catgut as the violinist. The interior of the house cat, it is well known, is exceedingly sensitive; but it may not be so well known that the reason why some cats leave the room in distress when a piano-forte is played is because the two instruments are not in the same key, and the vibrations of the chords of the one are in discord with the catgut of the other. On six feet of this superior article I fixed three artificial flies,--a simple brown hackle, a gray body with scarlet wings, and one of my own invention, which I thought would be new to the most experienced fly-catcher. The trout-fly does not resemble any known species of insect. It is a "conventionalized" creation, as we say of ornamentation. The theory is that, fly-fishing being a high art, the fly must not be a tame imitation of nature, but an artistic suggestion of it. It requires an artist to construct one; and not every bungler can take a bit of red flannel, a peacock's feather, a flash of tinsel thread, a cock's plume, a section of a hen's wing, and fabricate a tiny object that will not look like any fly, but still will suggest the universal conventional fly.
I took my stand in the center of the tipsy boat; and Luke shoved off, and slowly paddled towards some lily-pads, while I began casting, unlimbering my tools, as it were. The fish had all disappeared. I got out, perhaps, fifty feet of line, with no response, and gradually increased it to one hundred. It is not difficult to learn to cast; but it is difficult to learn not to snap off the flies at every throw. Of this, however, we will not speak. I continued casting for some moments, until I became satisfied that there had been a miscalculation. Either the trout were too green to know what I was at, or they were dissatisfied with my offers. I reeled in, and changed the flies (that is, the fly that was not snapped off). After studying the color of the sky, of the water, and of the foliage, and the moderated light of the afternoon, I put on a series of beguilers, all of a subdued brilliancy, in harmony with the approach of evening. At the second cast, which was a short one, I saw a splash where the leader fell, and gave an excited jerk. The next instant I perceived the game, and did not need the unfeigned "dam" of Luke to convince me that I had snatched his felt hat from his head and deposited it among the lilies. Discouraged by this, we whirled about, and paddled over to the inlet, where a little ripple was visible in the tinted light. At the very first cast I saw that the hour had come. Three trout leaped into the air. The danger of this manoeuvre all fishermen understand. It is one of the commonest in the woods: three heavy trout taking hold at once, rushing in different directions, smash the tackle into flinders. I evaded this catch, and threw again. I recall the moment. A hermit thrush, on the tip of a balsam, uttered his long, liquid, evening note. Happening to look over my shoulder, I saw the peak of Marcy gleam rosy in the sky (I can't help it that Marcy is fifty miles off, and cannot be seen from this region: these incidental touches are always used). The hundred feet of silk swished through the air, and the tail-fly fell as lightly on the water as a three-cent piece (which no slamming will give the weight of a ten) drops upon the contribution plate. Instantly there was a rush, a swirl. I struck, and "Got him, by---!" Never mind what Luke said I got him by. "Out on a fly!" continued that irreverent guide; but I told him to back water, and make for the center of the lake. The trout, as soon as he felt the prick of the hook, was off like a shot, and took out the whole of the line with a rapidity that made it smoke. "Give him the butt!" shouted Luke. It is the usual remark in such an emergency. I gave him the butt; and, recognizing the fact and my spirit, the trout at once sank to the bottom, and sulked. It is the most dangerous mood of a trout; for you cannot tell what he will do next. We reeled up a little, and waited five minutes for him to reflect. A tightening of the line enraged him, and he soon developed his tactics. Coming to the surface, he made straight for the boat faster than I could reel in, and evidently with hostile intentions. "Look out for him!" cried Luke as he came flying in the air. I evaded him by dropping flat in the bottom of the boat; and, when I picked my traps up, he was spinning across the lake as if he had a new idea: but the line was still fast. He did not run far. I gave him the butt again; a thing he seemed to hate, even as a gift. In a moment the evil-minded fish, lashing the water in his rage, was coming back again, making straight for the boat as before. Luke, who was used to these encounters, having read of them in the writings of travelers he had accompanied, raised his paddle in self-defense. The trout left the water about ten feet from the boat, and came directly at me with fiery eyes, his speckled sides flashing like a meteor. I dodged as he whisked by with a vicious slap of his bifurcated tail, and nearly upset the boat. The line was of course slack, and the danger was that he would entangle it about me, and carry away a leg. This was evidently his game; but I untangled it, and only lost a breast button or two by the swiftly-moving string. The trout plunged into the water with a hissing sound, and went away again with all the line on the reel. More butt; more indignation on the part of the captive. The contest had now been going on for half an hour, and I was getting exhausted. We had been back and forth across the lake, and round and round the lake. What I feared was that the trout would start up the inlet and wreck us in the bushes. But he had a new fancy, and began the execution of a manoeuvre which I had never read of. Instead of coming straight towards me, he took a large circle, swimming rapidly, and gradually contracting his orbit. I reeled in, and kept my eye on him. Round and round he went, narrowing his circle. I began to suspect the game; which was, to twist my head off.--When he had reduced the radius of his circle to about twenty-five feet, he struck a tremendous pace through the water. It would be false modesty in a sportsman to say that I was not equal to the occasion. Instead of turning round with him, as he expected, I stepped to the bow, braced myself, and let the boat swing. Round went the fish, and round we went like a top. I saw a line of Mount Marcys all round the horizon; the rosy tint in the west made a broad band of pink along the sky above the tree-tops; the evening star was a perfect circle of light, a hoop of gold in the heavens. We whirled and reeled, and reeled and whirled. I was willing to give the malicious beast butt and line, and all, if he would only go the other way for a change.
When I came to myself, Luke was gaffing the trout at the boat-side. After we had got him in and dressed him, he weighed three-quarters of a pound. Fish always lose by being "got in and dressed." It is best to weigh them while they are in the water. The only really large one I ever caught got away with my leader when I first struck him. He weighed ten pounds.
IV
A-HUNTING OF THE DEER
If civilization owes a debt of gratitude to the self-sacrificing sportsmen who have cleared the Adirondack regions of catamounts and savage trout, what shall be said of the army which has so nobly relieved them of the terror of the deer? The deer-slayers have somewhat celebrated their exploits in print; but I think that justice has never been done them.
The American deer in the wilderness, left to himself, leads a comparatively harmless but rather stupid life, with only such excitement as his own timid fancy raises. It was very seldom that one of his tribe was eaten by the North American tiger. For a wild animal he is very domestic, simple in his tastes, regular in his habits, affectionate in his family. Unfortunately for his repose, his haunch is as tender as his heart. Of all wild creatures he is one of the most graceful in action, and he poses with the skill of an experienced model. I have seen the goats on Mount Pentelicus scatter at the approach of a stranger, climb to the sharp points of projecting rocks, and attitudinize in the most self-conscious manner, striking at once those picturesque postures against the sky with which Oriental pictures have made us and them familiar. But the whole proceeding was theatrical.
Greece is the home of art, and it is rare to find anything there natural and unstudied. I presume that these goats have no nonsense about them when they are alone with the goatherds, any more than the goatherds have, except when they come to pose in the studio; but the long ages of culture, the presence always to the eye of the best models and the forms of immortal beauty, the heroic friezes of the Temple of Theseus, the marble processions of sacrificial animals, have had a steady molding, educating influence equal to a society of decorative art upon the people and the animals who have dwelt in this artistic atmosphere. The Attic goat has become an artificially artistic being; though of course he is not now what he was, as a poser, in the days of Polycletus. There is opportunity for a very instructive essay by Mr. E. A. Freeman on the decadence of the Attic goat under the influence of the Ottoman Turk.
The American deer, in the free atmosphere of our country, and as yet untouched by our decorative art, is without self-consciousness, and all his attitudes are free and unstudied. The favorite position of the deer--his fore-feet in the shallow margin of the lake, among the lily-pads, his antlers thrown back and his nose in the air at the moment he hears the stealthy breaking of a twig in the forest--is still spirited and graceful, and wholly unaffected by the pictures of him which the artists have put upon canvas.
Wherever you go in the Northern forest you will find deer-paths. So plainly marked and well-trodden are they that it is easy to mistake them for trails made by hunters; but he who follows one of them is soon in difficulties. He may find himself climbing through cedar thickets an almost inaccessible cliff, or immersed in the intricacies of a marsh. The "run," in one direction, will lead to water; but, in the other, it climbs the highest hills, to which the deer retires, for safety and repose, in impenetrable thickets. The hunters, in winter, find them congregated in "yards," where they can be surrounded and shot as easily as our troops shoot Comanche women and children in their winter villages. These little paths are full of pitfalls among the roots and stones; and, nimble as the deer is, he sometimes breaks one of his slender legs in them. Yet he knows how to treat himself without a surgeon. I knew of a tame deer in a settlement in the edge of the forest who had the misfortune to break her leg. She immediately disappeared with a delicacy rare in an invalid, and was not seen for two weeks. Her friends had given her up, supposing that she had dragged herself away into the depths of the woods, and died of starvation, when one day she returned, cured of lameness, but thin as a virgin shadow. She had the sense to shun the doctor; to lie down in some safe place, and patiently wait for her leg to heal. I have observed in many of the more refined animals this sort of shyness, and reluctance to give trouble, which excite our admiration when noticed in mankind.
The deer is called a timid animal, and taunted with possessing courage only when he is "at bay"; the stag will fight when he can no longer flee; and the doe will defend her young in the face of murderous enemies. The deer gets little credit for this eleventh-hour bravery. But I think that in any truly Christian condition of society the deer would not be conspicuous for cowardice. I suppose that if the American girl, even as she is described in foreign romances, were pursued by bull-dogs, and fired at from behind fences every time she ventured outdoors, she would become timid, and reluctant to go abroad. When that golden era comes which the poets think is behind us, and the prophets declare is about to be ushered in by the opening of the "vials," and the killing of everybody who does not believe as those nations believe which have the most cannon; when we all live in real concord,--perhaps the gentle-hearted deer will be respected, and will find that men are not more savage to the weak than are the cougars and panthers. If the little spotted fawn can think, it must seem to her a queer world in which the advent of innocence is hailed by the baying of fierce hounds and the "ping" of the rifle.
Hunting the deer in the Adirondacks is conducted in the most manly fashion. There are several methods, and in none of them is a fair chance to the deer considered. A favorite method with the natives is practiced in winter, and is called by them "still hunting." My idea of still hunting is for one man to go alone into the forest, look about for a deer, put his wits fairly against the wits of the keen-scented animal, and kill his deer, or get lost in the attempt. There seems to be a sort of fairness about this. It is private assassination, tempered with a little uncertainty about finding your man. The still hunting of the natives has all the romance and danger attending the slaughter of sheep in an abattoir. As the snow gets deep, many deer congregate in the depths of the forest, and keep a place trodden down, which grows larger as they tramp down the snow in search of food. In time this refuge becomes a sort of "yard," surrounded by unbroken snow-banks. The hunters then make their way to this retreat on snowshoes, and from the top of the banks pick off the deer at leisure with their rifles, and haul them away to market, until the enclosure is pretty much emptied. This is one of the surest methods of exterminating the deer; it is also one of the most merciful; and, being the plan adopted by our government for civilizing the Indian, it ought to be popular. The only people who object to it are the summer sportsmen. They naturally want some pleasure out of the death of the deer.
Some of our best sportsmen, who desire to protract the pleasure of slaying deer through as many seasons as possible, object to the practice of the hunters, who make it their chief business to slaughter as many deer in a camping season as they can. Their own rule, they say, is to kill a deer only when they need venison to eat. Their excuse is specious. What right have these sophists to put themselves into a desert place, out of the reach of provisions, and then ground a right to slay deer on their own improvidence? If it is necessary for these people to have anything to eat, which I doubt, it is not necessary that they should have the luxury of venison.
One of the most picturesque methods of hunting the poor deer is called "floating." The person, with murder in his heart, chooses a cloudy night, seats himself, rifle in hand, in a canoe, which is noiselessly paddled by the guide, and explores the shore of the lake or the dark inlet. In the bow of the boat is a light in a "jack," the rays of which are shielded from the boat and its occupants. A deer comes down to feed upon the lily-pads. The boat approaches him. He looks up, and stands a moment, terrified or fascinated by the bright flames. In that moment the sportsman is supposed to shoot the deer. As an historical fact, his hand usually shakes so that he misses the animal, or only wounds him; and the stag limps away to die after days of suffering. Usually, however, the hunters remain out all night, get stiff from cold and the cramped position in the boat, and, when they return in the morning to camp, cloud their future existence by the assertion that they "heard a big buck" moving along the shore, but the people in camp made so much noise that he was frightened off.