Part 185

"Polygamy, indeed!" cried Margaret. "So men only dropped the a pluribus unum method on account of the expense?"

"Not at all," replied Henderson. "Women are so much better now than formerly that one wife is quite enough."

"You have got him well in hand, Mrs. Henderson, but--" Morgan began.

"But," continued Margaret for him, "you think as things are going that polyandry will have to come in fashion--a woman will need more than one husband to support her?"

"And I was born too soon," murmured Carmen.

"Yes, dear, you'll have to be born again. But, Mr. Morgan, you don't seem to understand what civilization is."

"I'm beginning to. I've been thinking--this is entirely impersonal--that it costs more to keep one fine lady going than it does a college. Just reckon it up." (Margaret was watching him with sparkling eyes.) "The palace in town is for her, the house in the mountains, the house by the sea, are for her, the army of servants is for her, the horses and carriages for all weathers are for her, the opera box is for her, and then the wardrobe--why, half Paris lives on what women wear. I say nothing of what would become of the medical profession but for her."

"Have you done?" asked Margaret.

"No, but I'm taking breath."

"Well, why shouldn't we support the working-people of Paris and elsewhere? Do you want us to make our own clothes and starve the sewing-women? Suppose there weren't any balls and fine dresses and what you call luxury. What would the poor do without the rich? Isn't it the highest charity to give them work? Even with it they are ungrateful enough."

"That is too deep for me," said Morgan, evasively. "I suppose they ought to be contented to see us enjoying ourselves. It's all in the way of civilization, I dare say."

"It's just as I thought," said Margaret, more lightly. "You haven't an inkling of what civilization is. See that flower before you. It is the most exquisite thing in this room. See the refinement of its color and form. That was cultivated. The plant came from South Africa. I don't know what expense the gardener has been to about it, what material and care have been necessary to bring it to perfection. You may take it to Mrs. Morgan as an object-lesson. It is a thing of beauty. You cannot put any of your mercantile value on it. Well, that is woman, the consummate flower of civilization. That is what civilization is for."

"I'm sorry for you, old fellow," said Henderson.

"I'm sorry for myself," Carmen said, demurely.

"I admit all that," Morgan replied. "Take Mr. Henderson as a gardener, then."

"Suppose you take somebody else, and let my husband eat his dinner."

"Oh, I don't mind preaching; I've got used to being made to point a moral."

"But he will go on next about the luxury of the age, and the extravagance of women, and goodness knows what," said Margaret.

"No, I'm talking about men," Morgan continued. "Consider Henderson--it's entirely impersonal--as a gardener. What does he get out of his occupation? He can look at the flower. Perhaps that is enough. He gets a good dinner when he has time for it, an hour at his club now and then, occasionally an evening or half a day off at home, a decent wardrobe--"

"Fifty-two suits," interposed Margaret.

"His own brougham--"

"And a four-in-hand," added Margaret.

"A pass on the elevated road--"

"And a steam-yacht."

"Which he never gets time to sail in; practically all the time on the road, or besieged by a throng in his office, hustled about from morning till night, begged of, interviewed, a telegraphic despatch every five minutes, and--"

"And me!" cried Margaret, rising. The guests all clapped their hands.

The Hendersons liked to have their house full, something going on --dinners, musicales, readings, little comedies in the theatre; there was continual coming and going, calling, dropping in for a cup of tea, late suppers after the opera; the young fellows of town found no place so agreeable for a half-hour after business as Mrs. Henderson's reception-room. I fancied that life would be dull and hang heavily, especially for Margaret, without this perpetual movement and excitement. Henderson, who certainly had excitement enough without seeking it at home, was pleased that his wife should be a leader in society, as he was in the great enterprises in which his fortune waxed to enormous proportions. About what we call the home life I do not know. Necessarily, as heretofore, Henderson was often absent, and whether Margaret accompanied him or not, a certain pace of life had to be kept up.

I suppose there is no delusion more general than that of retiring upon a fortune--as if, when gained, a fortune would let a person retire, or, still more improbable, as if it ever were really attained. It is not at all probable that Henderson had set any limit to that he desired; the wildest speculations about its amount would no doubt fall short of satisfying the love of power which he expected to gratify in immeasurably increasing it. Does not history teach us that to be a great general, or poet, or philanthropist, is not more certain to preserve one's name than to be the richest man, the Croesus, in his age? I could imagine Margaret having a certain growing pride in this distinction, and a glowing ambition to be socially what her husband was financially.

Heaven often plans more mercifully for us than we plan for ourselves. Had not the Hebrew prophets a vision of the punishment by prosperity? Perhaps it applied to an old age, gratified to the end by possession of everything that selfishness covets, and hardened into absolute worldliness. I knew once an old lady whose position and wealth had always made her envied, and presumably happy, who was absolutely to be pitied for a soul empty of all noble feeling.

The sun still shone on Margaret, and life yielded to her its specious sweets. She was still young. If in her great house, in her dazzling career, in the whirl of resplendent prosperity, she had hours of unsatisfied yearning for something unattainable in this direction, the world would not have guessed it. Whenever we heard of her she was the centre and star of whatever for the moment excited the world of fashion. It was indeed, at last, in the zenith of her gay existence that I, became aware of a certain feminine anxiety about her in our neighborhood. She had been, years before, very ill in Paris, and the apprehensions for her safety now were based upon the recollection of her peril then. The days came when the tender-hearted Miss Forsythe went about the house restless, impatient, tearful, waiting for a summons that was sure to come when she was needed. She thought only of her child, as she called her, and all the tenderness of her nature was stirred-these years of cloud and separation and pain were as they had not been. Little Margaret had promised to send for her. She would not obtrude before she was wanted, but Margaret was certain to send. And she was ready for departure the instant the despatch came from Henderson--"Margaret wants you to come at once." I went with her.

In calamity, trouble, sorrow, it is wonderful how the ties of blood assert themselves. In this hour I am sure that Margaret longed for no one more than her dear aunt, in whose arms, as a child, she had so often forgotten her griefs. She had been able to live without her--nay, for a long time her presence had been something of a restraint and a rebuke, and her feelings had hardened towards her. Why is it that the heart hardens in prosperity?

When we arrived Margaret was very ill. The house itself had a serious air: it was no longer the palace of festivity and gayety, precautions had been taken to secure quiet, the pavement was littered, and within the hushed movements and the sombre looks spoke of apprehension and the absence of the spirit that had been the life and light of the house. Our arrival seemed to be a relief to Henderson. Little was said. I had never before seen him nervous, never before so restless and anxious, probably never before in all his career had he been unnerved with a sense of his own helplessness.

"She has been asking for you this moment," he said, as he accompanied Miss Forsythe to Margaret's apartment.

"Dear, dear aunt, I knew you would come--I love you so;" she had tried to raise herself a little in her bed, and was sobbing like a child in her aunt's arms.

"You must have courage, Margaret; it will all be well."

"Yes, but I'm so discouraged; I'm so tired."

The vigil began. The nurses were in waiting. The family physician would not leave the house. He was a man of great repute in his profession. Dr. Seftel's name was well known to me, but I had never met him before; a man past middle life, smooth shaven, thin iron-gray hair, grave, usually taciturn, deliberate in all his movements, as if every gesture were important and significant, but with a kindly face. Knowing that every moment of his waking life was golden, I could not but be impressed with the power that could command his exclusive service for an indefinite time. When he came down, we talked together in Henderson's room.

"It is a question of endurance, of constitution," he said; "many weak women have this quality of persistence; many strong women go to pieces at once; we know little about it. Mrs. Henderson"--glancing about him--"has everything to live for; that's in her favor. I suppose there are not two other men in the country whose fortune equals Henderson's."

I do not know how it was, probably the patient was not forgotten, but in a moment the grave doctor was asking me if I had seen the last bulletin about the yacht regatta. He took the keenest interest in the contest, and described to me the build and sailing qualities of the different yachts entered, and expressed his opinion as to which would win, and why. From this he passed to the city government and the recent election--like a true New Yorker, his chief interest centred in the city politics and not in the national elections. Without the least unbending from his dignity, he told me many anecdotes about city politicians, which would have been amusing if I had not been anxious about other things.

The afternoon passed, and the night, and the day, I cannot tell how. But at evening I knew by the movements in the house that the crisis had come. I was waiting in Henderson's library. An hour passed, when Henderson came hurrying in, pale, excited, but joyous.

"Thank God," he cried, "it is a boy!"

"And Margaret?" I gasped.

"Is doing very well!" He touched a bell, and gave an order to the servant. "We will drink to the dear girl and to the heir of the house."

He was in great spirits. The doctor joined us, but I noticed that he was anxious, and he did not stay long. Henderson was in and out, talking, excited, restless. But everything was going very well, he thought. At last, as we sat talking, a servant appeared at the door, with a frightened look.

"The baby, sir!"

"What?"

Alas! there had been an heir of the house of Henderson for just two hours; and Margaret was not sustaining herself.

Why go on? Henderson was beside himself; stricken with grief, enraged, I believe, as well, at the thought of his own impotence. Messengers were despatched, a consultation was called. The best skill of the city, at any cost, was at Margaret's bedside. Was there anything, then, that money could not do? How weak we are!

The next day the patient was no better, she was evidently sinking. The news went swiftly round the city. It needed a servant constantly at the door to answer the stream of sympathetic inquirers. Reporters were watching the closed house from the opposite pavement. I undertook to satisfy some of them who gained the steps and came forward, civil enough and note-books in hand, when the door was opened. This intrusion of curiosity seemed so dreadful.

The great house was silent. How vain and empty and pitiful it all seemed as I wandered alone through the gorgeous apartments! What a mockery it all was of the tragedy impending above-stairs--the approach on list-shod feet of the great enemy! Let us not be unjust. He would have come just the same if his prey had lain in a farmhouse among the hills, or in a tenement-house in C Street.

A day and a night, and another day--and then! It was Miss Forsythe who came down to me, with strained eyes and awe in her face. It needed no words. She put her face upon my shoulder, and sobbed as if her heart were broken.

I could not stay in the house. I went out into the streets, the streets brilliant in the sun of an autumn day, into the town, gay, bustling, crowded, pulsing with vigorous life. How blue the sky was! The sparrows twittered in Madison Square, the idlers sat in the sun, the children chased their hoops about the fountain.

I wandered into the club. The news had preceded me there. More than one member in the reading-room grasped my hand, with just a word of sympathy. Two young fellows, whom I had last seen at the Henderson dinner, were seated at a small table.

"It's rough, Jack"--the speaker paused, with a match in his hand--"it's rough. I'll be if she was not the finest woman I ever knew."

My wife and I were sitting in the orchestra stalls of the Metropolitan. The opera was Siegfried. At the close of the first act, as we turned to the house, we saw Carmen enter a box, radiant, in white. Henderson followed, and took a seat a little in shadow behind her. There were others in the box. There was a little movement and flutter as they came in and glasses were turned that way.

"Married, and it is only two years," I said.

"It is only a year and eight months," my wife replied.

And the world goes on as cheerfully and prosperously as ever.

THE GOLDEN HOUSE

By Charles Dudley Warner

I

It was near midnight: The company gathered in a famous city studio were under the impression, diligently diffused in the world, that the end of the century is a time of license if not of decadence. The situation had its own piquancy, partly in the surprise of some of those assembled at finding themselves in bohemia, partly in a flutter of expectation of seeing something on the border-line of propriety. The hour, the place, the anticipation of the lifting of the veil from an Oriental and ancient art, gave them a titillating feeling of adventure, of a moral hazard bravely incurred in the duty of knowing life, penetrating to its core. Opportunity for this sort of fruitful experience being rare outside the metropolis, students of good and evil had made the pilgrimage to this midnight occasion from less-favored cities. Recondite scholars in the physical beauty of the Greeks, from Boston, were there; fair women from Washington, whose charms make the reputation of many a newspaper correspondent; spirited stars of official and diplomatic life, who have moments of longing to shine in some more languorous material paradise, had made a hasty flitting to be present at the ceremony, sustained by a slight feeling of bravado in making this exceptional descent. But the favored hundred spectators were mainly from the city-groups of late diners, who fluttered in under that pleasurable glow which the red Jacqueminot always gets from contiguity with the pale yellow Clicquot; theatre parties, a little jaded, and quite ready for something real and stimulating; men from the clubs and men from studios--representatives of society and of art graciously mingled, since it is discovered that it is easier to make art fashionable than to make fashion artistic.

The vast, dimly lighted apartment was itself mysterious, a temple of luxury quite as much as of art. Shadows lurked in the corners, the ribs of the roof were faintly outlined; on the sombre walls gleams of color, faces of loveliness and faces of pain, studies all of a mood or a passion, bits of shining brass, reflections from lustred ware struggling out of obscurity; hangings from Fez or Tetuan, bits of embroidery, costumes in silk and in velvet, still having the aroma of balls a hundred years ago, the faint perfume of a scented society of ladies and gallants; a skeleton scarcely less fantastic than the draped wooden model near it; heavy rugs of Daghestan and Persia, making the footfalls soundless on the floor; a fountain tinkling in a thicket of japonicas and azaleas; the stems of palmettoes, with their branches waving in the obscurity overhead; points of light here and there where a shaded lamp shone on a single red rose in a blue Granada vase on a toppling stand, or on a mass of jonquils in a barbarous pot of Chanak-Kallessi; tacked here and there on walls and hangings, colored memoranda of Capri and of the North Woods, the armor of knights, trophies of small-arms, crossed swords of the Union and the Confederacy, easels, paints, and palettes, and rows of canvases leaning against the wall-the studied litter, in short, of a successful artist, whose surroundings contribute to the popular conception of his genius.

On the wall at one end of the apartment was stretched a white canvas; in front of it was left a small cleared space, on the edge of which, in the shadow, squatting on the floor, were four swarthy musicians in Oriental garments, with a mandolin, a guitar, a ney, and a darabooka drum. About this cleared space, in a crescent, knelt or sat upon the rugs a couple of rows of men in evening dress; behind them, seated in chairs, a group of ladies, whose white shoulders and arms and animated faces flashed out in the semi-obscurity; and in their rear stood a crowd of spectators --beautiful young gentlemen with vacant faces and the elevated Oxford shoulders, rosy youth already blase to all this world can offer, and gray-headed men young again in the prospect of a new sensation. So they kneel or stand, worshipers before the shrine, expecting the advent of the Goddess of AEsthetic Culture.

The moment has come. There is a tap on the drum, a tuning of the strings, a flash of light from the rear of the room inundates the white canvas, and suddenly a figure is poised in the space, her shadow cast upon the glowing background.

It is the Spanish dancer!

The apparition evokes a flutter of applause. It is a superb figure, clad in a high tight bodice and long skirts simply draped so as to show every motion of the athletic limbs. She seems, in this pose and light, supernaturally tall. Through her parted lips white teeth gleam, and she smiles. Is it a smile of anticipated, triumph, or of contempt? Is it the smile of the daughter of Herodias, or the invitation of a 'ghazeeyeh'? She pauses. Shall she surprise, or shock, or only please? What shall the art that is older than the pyramids do for these kneeling Christians? The drum taps, the ney pipes, the mandolin twangs, her arms are extended--the castanets clink, a foot is thrust out, the bosom heaves, the waist trembles. What shall it be--the old serpent dance of the Nile, or the posturing of decorous courtship when the olives are purple in the time of the grape harvest? Her head, wreathed with coils of black hair, a red rose behind the left ear, is thrown back. The eyes flash, there is a snakelike movement of the limbs, the music hastens slowly in unison with the quickening pulse, the body palpitates, seems to flash invitation like the eyes, it turns, it twists, the neck is thrust forward, it is drawn in, while the limbs move still slowly, tentatively; suddenly the body from the waist up seems to twist round, with the waist as a pivot, in a flash of athletic vigor, the music quickens, the arms move more rapidly to the click of the heated castenets, the steps are more pronounced, the whole woman is agitated, bounding, pulsing with physical excitement. It is a Maenad in an access of gymnastic energy. Yes, it is gymnastics; it is not grace; it is scarcely alluring. Yet it is a physical triumph. While the spectators are breathless, the fury ceases, the music dies, and the Spaniard sinks into a chair, panting with triumph, and inclines her dark head to the clapping of hands and the bravos. The kneelers rise; the spectators break into chattering groups; the ladies look at the dancer with curious eyes; a young gentleman with the elevated Oxford shoulders leans upon the arm of her chair and fans her. The pose is correct; it is the somewhat awkward tribute of culture to physical beauty.

To be on speaking terms with the phenomenon was for the moment a distinction. The young ladies wondered if it would be proper to go forward and talk with her.

"Why not?" said a wit. "The Duke of Donnycastle always shakes hands with the pugilists at a mill."

"It is not so bad"--the speaker was a Washington beauty in an evening dress that she would have condemned as indecorous for the dancer it is not so bad as I--"

"Expected?" asked her companion, a sedate man of thirty-five, with the cynical air of a student of life.

"As I feared," she added, quickly. "I have always had a curiosity to know what these Oriental dances mean."

"Oh, nothing in particular, now. This was an exhibition dance. Of course its origin, like all dancing, was religious. The fault I find with it is that it lacks seriousness, like the modern exhibition of the dancing dervishes for money."

"Do you think, Mr. Mavick, that the decay of dancing is the reason our religion lacks seriousness? We are in Lent now, you know. Does this seem to you a Lenten performance?"

"Why, yes, to a degree. Anything that keeps you up till three o'clock in the morning has some penitential quality."

"You give me a new view, Mr. Mavick. I confess that I did not expect to assist at what New Englanders call an 'evening meeting.' I thought Eros was the deity of the dance."

"That, Mrs. Lamon, is a vulgar error. It is an ancient form of worship. Virtue and beauty are the same thing--the two graces."

"What a nice apothegm! It makes religion so easy and agreeable."

"As easy as gravitation."

"Dear me, Mr. Mavick, I thought this was a question of levitation. You are upsetting all my ideas. I shall not have the comfort of repenting of this episode in Lent."

"Oh yes; you can be sorry that the dancing was not more alluring."

Meantime there was heard the popping of corks. Venetian glasses filled with champagne were quaffed under the blessing of sparkling eyes, young girls, almond-eyed for the occasion, in the costume of Tokyo, handed round ices, and the hum of accelerated conversation filled the studio.

"And your wife didn't come?"

"Wouldn't," replied Jack Delancy, with a little bow, before he raised his glass. And then added, "Her taste isn't for this sort of thing."

The girl, already flushed with the wine, blushed a little--Jack thought he had never seen her look so dazzlingly handsome--as she said, "And you think mine is?"