Part 262

One of the writer's vantage points of observation was a balcony of the central window of the Hall of Ambassadors, from which he had a magnificent prospect of mountain, valley, and vega, and could look down upon a busy scene of human life in an alameda, or public walk, at the foot of the hill, and the suburb of the city, filling the narrow gorge below. Here the author used to sit for hours, weaving histories out of the casual incidents passing under his eye, and the occupations of the busy mortals below. The following passage exhibits his power in transmuting the commonplace life of the present into material perfectly in keeping with the romantic associations of the place:

"There was scarce a pretty face or a striking figure that I daily saw, about which I had not thus gradually framed a dramatic story, though some of my characters would occasionally act in direct opposition to the part assigned them, and disconcert the whole drama. Reconnoitring one day with my glass the streets of the Albaycin, I beheld the procession of a novice about to take the veil; and remarked several circumstances which excited the strongest sympathy in the fate of the youthful being thus about to be consigned to a living tomb. I ascertained to my satisfaction that she was beautiful, and, from the paleness of her cheek, that she was a victim rather than a votary. She was arrayed in bridal garments, and decked with a chaplet of white flowers, but her heart evidently revolted at this mockery of a spiritual union, and yearned after its earthly loves. A tall, stern-looking man walked near her in the procession: it was, of course, the tyrannical father, who, from some bigoted or sordid motive, had compelled this sacrifice. Amid the crowd was a dark, handsome youth, in Andalusian garb, who seemed to fix on her an eye of agony. It was doubtless the secret lover from whom she was forever to be separated. My indignation rose as I noted the malignant expression painted on the countenances of the attendant monks and friars. The procession arrived at the chapel of the convent; the sun gleamed for the last time upon the chaplet of the poor novice, as she crossed the fatal threshold and disappeared within the building. The throng poured in with cowl, and cross, and minstrelsy; the lover paused for a moment at the door. I could divine the tumult of his feelings; but he mastered them, and entered. There was a long interval. I pictured to myself the scene passing within: the poor novice despoiled of her transient finery, and clothed in the conventual garb; the bridal chaplet taken from her brow, and her beautiful head shorn of its long silken tresses. I heard her murmur the irrevocable vow. I saw her extended on a bier; the death-pall spread over her; the funeral service performed that proclaimed her dead to the world; her sighs were drowned in the deep tones of the organ, and the plaintive requiem of the nuns; the father looked on, unmoved, without a tear; the lover--no my imagination refused to portray the anguish of the lover--there the picture remained a blank.

"After a time the throng again poured forth and dispersed various ways, to enjoy the light of the sun and mingle with the stirring scenes of life; but the victim, with her bridal chaplet, was no longer there. The door of the convent closed that severed her from the world forever. I saw the father and the lover issue forth; they were in earnest conversation. The latter was vehement in his gesticulations; I expected some violent termination to my drama; but an angle of a building interfered and closed the scene. My eye afterwards was frequently turned to that convent with painful interest. I remarked late at night a solitary light twinkling from a remote lattice of one of its towers. 'There,' said I, the unhappy nun sits weeping in her cell, while perhaps her lover paces the street below in unavailing anguish.' . . .

"The officious Mateo interrupted my meditations and destroyed in an instant the cobweb tissue of my fancy. With his usual zeal he had gathered facts concerning the scene, which put my fictions all to flight. The heroine of my romance was neither young nor handsome; she had no lover; she had entered the convent of her own free will, as a respectable asylum, and was one of the most cheerful residents within its walls.

"It was some little while before I could forgive the wrong done me by the nun in being thus happy in her cell, in contradiction to all the rules of romance; I diverted my spleen, however, by watching, for a day or two, the pretty coquetries of a dark-eyed brunette, who, from the covert of a balcony shrouded with flowering shrubs and a silken awning, was carrying on a mysterious correspondence with a handsome, dark, well-whiskered cavalier, who lurked frequently in the street beneath her window. Sometimes I saw him at an early hour, stealing forth wrapped to the eyes in a mantle. Sometimes he loitered at a corner, in various disguises, apparently waiting for a private signal to slip into the house. Then there was the tinkling of a guitar at night, and a lantern shifted from place to place in the balcony. I imagined another intrigue like that of Almaviva, but was again disconcerted in all my suppositions. The supposed lover turned out to be the husband of the lady, and a noted contrabandista; and all his mysterious signs and movements had doubtless some smuggling scheme in view . . . .

"I occasionally amused myself with noting from this balcony the gradual changes of the scenes below, according to the different stages of the day.

"Scarce has the gray dawn streaked the sky, and the earliest cock crowed from the cottages of the hill-side, when the suburbs give sign of reviving animation; for the fresh hours of dawning are precious in the summer season in a sultry climate. All are anxious to get the start of the sun, in the business of the day. The muleteer drives forth his loaded train for the journey; the traveler slings his carbine behind his saddle, and mounts his steed at the gate of the hostel; the brown peasant from the country urges forward his loitering beasts, laden with panniers of sunny fruit and fresh dewy vegetables, for already the thrifty housewives are hastening to the market.

"The sun is up and sparkles along the valley, tipping the transparent foliage of the groves. The matin bells resound melodiously through the pure bright air, announcing the hour of devotion. The muleteer halts his burdened animals before the chapel, thrusts his staff through his belt behind, and enters with hat in hand, smoothing his coal-black hair, to hear a mass, and to put up a prayer for a prosperous wayfaring across the sierra. And now steals forth on fairy foot the gentle Senora, in trim basquina, with restless fan in hand, and dark eye flashing from beneath the gracefully folded mantilla; she seeks some well-frequented church to offer up her morning orisons; but the nicely adjusted dress, the dainty shoe and cobweb stocking, the raven tresses exquisitely braided, the fresh-plucked rose, gleaming among them like a gem, show that earth divides with Heaven the empire of her thoughts. Keep an eye upon her, careful mother, or virgin aunt, or vigilant duenna, whichever you may be, that walk behind!

"As the morning advances, the din of labor augments on every side; the streets are thronged with man, and steed, and beast of burden, and there is a hum and murmur, like the surges of the ocean. As the sun ascends to his meridian, the hum and bustle gradually decline; at the height of noon there is a pause. The panting city sinks into lassitude, and for several hours there is a general repose. The windows are closed, the curtains drawn, the inhabitants retired into the coolest recesses of their mansions; the full-fed monk snores in his dormitory; the brawny porter lies stretched on the pavement beside his burden; the peasant and the laborer sleep beneath the trees of the Alameda, lulled by the sultry chirping of the locust. The streets are deserted, except by the water-carrier, who refreshes the ear by proclaiming the merits of his sparkling beverage, 'colder than the mountain snow (mas fria que la nieve).'

"As the sun declines, there is again a gradual reviving, and when the vesper bell rings out his sinking knell, all nature seems to rejoice that the tyrant of the day has fallen. Now begins the bustle of enjoyment, when the citizens pour forth to breathe the evening air, and revel away the brief twilight in the walks and gardens of the Darro and Xenil.

"As night closes, the capricious scene assumes new features. Light after light gradually twinkles forth; here a taper from a balconied window; there a votive lamp before the image of a saint. Thus, by degrees, the city emerges the banners of the haughty chiefs of Spain, and flaunted in triumph through these Moslem halls. I picture to myself Columbus, the future discoverer of a world, taking his modest stand in a remote corner, the humble and neglected spectator of the pageant. I see in imagination the Catholic sovereigns prostrating themselves before the altar, and pouring forth thanks for their victory; while the vaults resound with sacred minstrelsy and the deep-toned Te Deum.

"The transient illusion is over,--the pageant melts from the fancy, --monarch, priest, and warrior return into oblivion with the poor Moslems over whom they exulted. The hall of their triumph is waste and desolate. The bat flits about its twilight vault, and the owl hoots from the neighboring tower of Comares."

It is a Moslem tradition that the court and army of Boabdil the Unfortunate, the last Moorish king of Granada, are shut up in the mountain by a powerful enchantment, and that it is written in the book of fate that when the enchantment is broken, Boabdil will descend from the mountain at the head of his army, resume his throne in the Alhambra, and, gathering together the enchanted warriors from all parts of Spain, reconquer the peninsula. Nothing in this volume is more amusing and at the same time more poetic and romantic than the story of "Governor Manco and the Soldier," in which this legend is used to cover the exploit of a dare-devil contrabandista. But it is too long to quote. I take, therefore, another story, which has something of the same elements, that of a merry mendicant student of Salamanca, Don Vicente by name, who wandered from village to village, and picked up a living by playing the guitar for the peasants, among whom he was sure of a hearty welcome. In the course of his wandering he had found a seal-ring, having for its device the cabalistic sign invented by King Solomon the Wise, and of mighty power in all cases of enchantment.

"At length he arrived at the great object of his musical vagabondizing, the far-famed city of Granada, and hailed with wonder and delight its Moorish towers, its lovely vega, and its snowy mountains glistening through a summer atmosphere. It is needless to say with what eager curiosity he entered its gates and wandered through its streets, and gazed upon its Oriental monuments. Every female face peering through a window or beaming from a balcony was to him a Zorayda or a Zelinda, nor could he meet a stately dame on the Alameda but he was ready to fancy her a Moorish princess, and to spread his student's robe beneath her feet.

"His musical talent, his happy humor, his youth and his good looks, won him a universal welcome in spite of his ragged robes, and for several days he led a gay life in the old Moorish capital and its environs. One of his occasional haunts was the fountain of Avellanos, in the valley of Darro. It is one of the popular resorts of Granada, and has been so since the days of the Moors; and here the student had an opportunity of pursuing his studies of female beauty; a branch of study to which he was a little prone.

"Here he would take his seat with his guitar, improvise love-ditties to admiring groups of majos and majas, or prompt with his music the ever-ready dance. He was thus engaged one evening when he beheld a padre of the church advancing, at whose approach every one touched the hat. He was evidently a man of consequence; he certainly was a mirror of good if not of holy living; robust and rosy-faced, and breathing at every pore with the warmth of the weather and the exercise of the walk. As he passed along he would every now and then draw a maravedi out of his pocket and bestow it on a beggar, with an air of signal beneficence. 'Ah, the blessed father!' would be the cry; long life to him, and may he soon be a bishop!'

"To aid his steps in ascending the hill he leaned gently now and then on the arm of a handmaid, evidently the pet-lamb of this kindest of pastors. Ah, such a damsel! Andalus from head to foot; from the rose in her hair, to the fairy shoe and lacework stocking; Andalus in every movement; in every undulation of the body:--ripe, melting Andalus! But then so modest!--so shy!--ever, with downcast eyes, listening to the words of the padre; or, if by chance she let flash a side glance, it was suddenly checked and her eyes once more cast to the ground.

"The good padre looked benignantly on the company about the fountain, and took his seat with some emphasis on a stone bench, while the handmaid hastened to bring him a glass of sparkling water. He sipped it deliberately and with a relish, tempering it with one of those spongy pieces of frosted eggs and sugar so dear to Spanish epicures, and on returning the glass to the hand of the damsel pinched her cheek with infinite loving-kindness.

"'Ah, the good pastor!' whispered the student to himself; 'what a happiness would it be to be gathered into his fold with such a pet-lamb for a companion!'

"But no such good fare was likely to befall him. In vain he essayed those powers of pleasing which he had found so irresistible with country curates and country lasses. Never had he touched his guitar with such skill; never had he poured forth more soul-moving ditties, but he had no longer a country curate or country lass to deal with. The worthy priest evidently did not relish music, and the modest damsel never raised her eyes from the ground. They remained but a short time at the fountain; the good padre hastened their return to Granada. The damsel gave the student one shy glance in retiring; but it plucked the heart out of his bosom!

"He inquired about them after they had gone. Padre Tomas was one of the saints of Granada, a model of regularity; punctual in his hour of rising; his hour of taking a paseo for an appetite; his hours of eating; his hour of taking his siesta; his hour of playing his game of tresillo, of an evening, with some of the dames of the cathedral circle; his hour of supping, and his hour of retiring to rest, to gather fresh strength for another day's round of similar duties. He had an easy sleek mule for his riding; a matronly housekeeper skilled in preparing tidbits for his table; and the pet-lamb, to smooth his pillow at night and bring him his chocolate in the morning.

"Adieu now to the gay, thoughtless life of the student; the side-glance of a bright eye had been the undoing of him. Day and night he could not get the image of this most modest damsel out of his mind. He sought the mansion of the padre. Alas! it was above the class of houses accessible to a strolling student like himself. The worthy padre had no sympathy with him; he had never been Estudiante sopista, obliged to sing for his supper. He blockaded the house by day, catching a glance of the damsel now and then as she appeared at a casement; but these glances only fed his flame without encouraging his hope. He serenaded her balcony at night, and at one time was flattered by the appearance of something white at a window. Alas, it was only the nightcap of the padre.

"Never was lover more devoted; never damsel more shy: the poor student was reduced to despair. At length arrived the eve of St. John, when the lower classes of Granada swarm into the country, dance away the afternoon, and pass midsummer's night on the banks of the Darro and the Xenil. Happy are they who on this eventful night can wash their faces in those waters just as the cathedral bell tells midnight; for at that precise moment they have a beautifying power. The student, having nothing to do, suffered himself to be carried away by the holiday-seeking throng until he found himself in the narrow valley of the Darro, below the lofty hill and ruddy towers of the Alhambra. The dry bed of the river; the rocks which border it; the terraced gardens which overhang it, were alive with variegated groups, dancing under the vines and fig-trees to the sound of the guitar and castanets.

"The student remained for some time in doleful dumps, leaning against one of the huge misshapen stone pomegranates which adorn the ends of the little bridge over the Darro. He cast a wistful glance upon the merry scene, where every cavalier had his dame; or, to speak more appropriately, every Jack his Jill; sighed at his own solitary state, a victim to the black eye of the most unapproachable of damsels, and repined at his ragged garb, which seemed to shut the gate of hope against him.

"By degrees his attention was attracted to a neighbor equally solitary with himself. This was a tall soldier, of a stern aspect and grizzled beard, who seemed posted as a sentry at the opposite pomegranate. His face was bronzed by time; he was arrayed in ancient Spanish armor, with buckler and lance, and stood immovable as a statue. What surprised the student was, that though thus strangely equipped, he was totally unnoticed by the passing throng, albeit that many almost brushed against him.

"'This is a city of old time peculiarities,' thought the student, I and doubtless this is one of them with which the inhabitants are too familiar to be surprised.' His own curiosity, however, was awakened, and being of a social disposition, he accosted the soldier.

"'A rare old suit of armor that which you wear, comrade. May I ask what corps you belong to?'

"The soldier gasped out a reply from a pair of jaws which seemed to have rusted on their hinges.

"'The royal guard of Ferdinand and Isabella.'

"'Santa Maria! Why, it is three centuries since that corps was in service.'

"'And for three centuries have I been mounting guard. Now I trust my tour of duty draws to a close. Dost thou desire fortune?'

"The student held up his tattered cloak in reply.

"'I understand thee. If thou hast faith and courage, follow me, and thy fortune is made.'

"'Softly, comrade; to follow thee would require small courage in one who has nothing to lose but life and an old guitar, neither of much value; but my faith is of a different matter, and not to be put in temptation. If it be any criminal act by which I am to mend my fortune, think not my ragged coat will make me undertake it.'

"The soldier turned on him a look of high displeasure. 'My sword,' said he, 'has never been drawn but in the cause of the faith and the throne. I am a 'Cristiano viejo;' trust in me and fear no evil.'

"The student followed him wondering. He observed that no one heeded their conversation, and that the soldier made his way through the various groups of idlers unnoticed, as if invisible.

"Crossing the bridge, the soldier led the way by a narrow and steep path past a Moorish mill and aqueduct, and up the ravine which separates the domains of the Generalife from those of the Alhambra. The last ray of the sun shone upon the red battlements of the latter, which beetled far above; and the convent-bells were proclaiming the festival of the ensuing day. The ravine was overshadowed by fig-trees, vines, and myrtles, and the outer towers and walls of the fortress. It was dark and lonely, and the twilight-loving bats began to flit about. At length the soldier halted at a remote and ruined tower apparently intended to guard a Moorish aqueduct. He struck the foundation with the buttend of his spear. A rumbling sound was heard, and the solid stones yawned apart, leaving an opening as wide as a door.

"'Enter in the name of the Holy Trinity,' said the soldier, 'and fear nothing.' The student's heart quaked, but he made the sign of the cross, muttered his Ave Maria, and followed his mysterious guide into a deep vault cut out of the solid rock under the tower, and covered with Arabic inscriptions. The soldier pointed to a stone seat hewn along one side of the vault. 'Behold,' said he, 'my couch for three hundred years.' The bewildered student tried to force a joke. 'By the blessed St. Anthony,' said he, 'but you must have slept soundly, considering the hardness of your couch.'

"'On the contrary, sleep has been a stranger to these eyes; incessant watchfulness has been my doom. Listen to my lot. I was one of the royal guards of Ferdinand and Isabella; but was taken prisoner by the Moors in one of their sorties, and confined a captive in this tower. When preparations were made to surrender the fortress to the Christian sovereigns, I was prevailed upon by an alfaqui, a Moorish priest, to aid him in secreting some of the treasures of Boabdil in this vault. I was justly punished for my fault. The alfaqui was an African necromancer, and by his infernal arts cast a spell upon me--to guard his treasures. Something must have happened to him, for he never returned, and here have I remained ever since, buried alive. Years and years have rolled away; earthquakes have shaken this hill; I have heard stone by stone of the tower above tumbling to the ground, in the natural operation of time; but the spell-bound walls of this vault set both time and earthquakes at defiance.

"'Once every hundred years, on the festival of St. John, the enchantment ceases to have thorough sway; I am permitted to go forth and post myself upon the bridge of the Darro, where you met me, waiting until some one shall arrive who may have power to break this magic spell. I have hitherto mounted guard there in vain. I walk as in a cloud, concealed from mortal sight. You are the first to accost me for now three hundred years. I behold the reason. I see on your finger the seal-ring of Solomon the Wise, which is proof against all enchantment. With you it remains to deliver me from this awful dungeon, or to leave me to keep guard here for another hundred years.'