Chapter XIV

.

Footnote 1056:

v. 17, 9.

Footnote 1057:

Paus. v. 17–19.

Footnote 1058:

Cf. the Arkesilas vase described below, p. 342.

Footnote 1059:

See on this subject H. S. Jones in _J.H.S._ xiv. p. 30 ff.

Footnote 1060:

Cf. the Thermon metopes (p. 92).

Footnote 1061:

_Arch. Märchen_, p. 121: see p. 395 ff.

Footnote 1062:

See on the achievements of the early Greek painters as described by Pliny, Jex-Blake and Sellers, _Pliny’s Chapters on Greek Art_, p. xxviii.

Footnote 1063:

But see _Ath. Mitth._ 1894, p. 510, and _J.H.S._ xviii. p. 287, note. The other vases classified in the Museum Catalogue as imitations (B 43–6, 49–53) are more probably of Ionic or quasi-Ionic fabric. Athens 655 is in style not unlike B.M. B 42.

Footnote 1064:

See Wilisch, _Altkor. Thonindustrie_, p. 133 ff.

Footnote 1065:

Furtwaengler, _Gr. Vasenm_. p. 161, points out that the Chalcidian fabrics are not like those of Corinth and Athens, exhibiting growth and development, but a small group coming from one workshop.

Footnote 1066:

_Mon. dell’ Inst._ i. 51 = Reinach, i. 82.

Footnote 1067:

It is curious that the Chalcidian artists only attempted this novelty in the case of helmeted warriors.

Footnote 1068:

A publication by Loeschcke is in preparation (1904). See also Furtwaengler’s remarks on this group (to which he adds some examples) in _Gr. Vasenmalerei_, p. 161. For the inscriptions see