Chapter XV

. § 3. They are also fully discussed by Heydemann in _Jahrbuch_, i. p. 260 ff.

Footnote 1465:

See also Vol. II. Fig. 134.

Footnote 1466:

Cf. a tomb with paintings at Tritaea in Achaia described by Pausanias, vii. 22, 4.

Footnote 1467:

Cf. Roscher, _Lexikon_, i. p. 2441 ff. (_s.v._ Heros); _J.H.S._ v. p. 105 ff.; _Brit. Mus. Cat. of Sculpt._ i. p. 293 ff.; Furtwaengler, _Coll. Sabouroff_, i. p. 17 ff.

Footnote 1468:

Possibly a mistake for, or variation of, the name Dasimos, which occurs on a fourth-century bronze votive helmet from Southern Italy in the British Museum (_Cat._ 317).

Footnote 1469:

_E.g._ B.M. F 150–6; Naples 1778, 1779, 1782, 1787, 3248; and others given by Patroni, _Ceramica Antica_, p. 77. A vase published by Inghirami (_Vasi Fitt._ 1–3) is thought by Engelmann to be the work of Python (_Ann. dell’ Inst._ 1874, p. 35). But this hardly seems likely. The B.M. vase F 155 is much more after his style.

Footnote 1470:

Two of these vases in the British Museum (F 150–51) are in the style of Assteas. Furtwaengler assigns all, including that signed by A., to Campania. It is, however, more likely that they were mostly made at Paestum. The one in Rome with Zeus and Alkmena (see p. 473) may be by Python.

Footnote 1471:

_Mon. dell’ Inst._ viii. pl. 21.

Footnote 1472:

See note above and Patroni, p. 71.

Footnote 1473:

_E.g._ B.M. B 159, 160, 174.

Footnote 1474:

See above, p. 172.

Footnote 1475:

See Patroni, _op. cit._ p. 25, and