Chapter 168 of 168 · 1973 words · ~10 min read

Chapter XXII

., and XXI. _init._

END OF VOL. I.

_Printed by Hazell, Watson & Viney, Ld., London and Aylesbury._

Mr. Murray’s Standard Works

=Berenson=, Bernhard. THE DRAWINGS OF THE FLORENTINE PAINTERS. Classified, Criticised, and Studied as Documents in the History and Appreciation of Tuscan Art. With a Copious Catalogue Raisonné, and 180 Facsimile Illustrations. 2 Vols. Folio. £21 net.

=Borgia=, Lucretia, THE LIFE OF. According to Original Documents and Correspondence of her Day. By FERDINAND GREGOROVIUS. Translated by JOHN LESLIE GARNER. With Illustrations. Large Crown 8vo. 10_s._ 6_d._ net.

=Brown=, Prof. G. Baldwin. THE FINE ARTS. The Origin, Aims, and Conditions of Artistic Work as applied to Painting, Sculpture, and Architecture. _New and Enlarged Edition._ With Illustrations. Crown 8vo. 6_s._ net.

—— THE ARTS IN EARLY ENGLAND. With Illustrations. 3 Vols. Royal 8vo. 16_s._ net. each.

Vol. I. THE LIFE OF SAXON ENGLAND IN ITS RELATION TO THE ARTS.

Vol. II. ECCLESIASTICAL ARCHITECTURE IN ENGLAND FROM THE CONVERSION OF THE SAXONS TO THE NORMAN CONQUEST.

Vol. III. THE DECORATIVE ARTS OF THE ANGLO-SAXON PERIOD.

=Brugsch=, Professor. EGYPT UNDER THE PHARAOHS. History derived entirely from the Monuments. _Third Edition._ Revised by M. BRODRICK. Maps, Plans, and Illustrations. Demy 8vo. 18_s._

=Burton-Brown=, E. RECENT EXCAVATIONS IN THE ROMAN FORUM, 1898–1905. A Handbook. Illustrations and Plans. Fcap 8vo. 2_s._ net.

=Cartwright=, Julia (Mrs. Ady). THE PAINTERS OF FLORENCE. From the 13th to the 16th Centuries. Illustrations. Crown 8vo. 6_s._ net.

=Cripps=, Wilfrid. OLD ENGLISH PLATE: Ecclesiastical, Decorative, and Domestic: Its Makers and Marks. _Eighth Edition._ Revised and Enlarged. With 123 Illustrations and 2,600 Facsimile Plate Marks. 8vo. 21_s._ net.

⁂ Tables of the Date-Letters and Marks sold separately. 5_s._

—— OLD FRENCH PLATE: Its Makers and Marks. With Tables of Makers’ Marks, in addition to the Plate Marks. 8vo. 10_s._ 6_d._

=Crowe=, Sir J. A., and =Cavalcaselle=, G. B. A HISTORY OF PAINTING in Italy, Umbria, Florence, and Siena, from the 2nd to the 16th Century. A New Edition, with Editorial Notes by LANGTON DOUGLAS, with upwards of 200 Illustrations. Large Demy 8vo. 6 Vols. 21_s._ net each.

Vol. I. EARLY CHRISTIAN ART.

Vol. II. GIOTTO AND THE GIOTTESQUES.

—— —— RAPHAEL: His Life and Works. Demy 8vo. Vol. I., 15_s._

=Cust=, Lionel. NOTES ON THE AUTHENTIC PORTRAITS OF MARY QUEEN OF SCOTS. Based on the Researches of the late Sir George Scharf, Director of the National Portrait Gallery—Re-written in the light of new information. With many Illustrations. Small 4to. £3 3_s._ net.

=Douglas=, Langton. SIENA, HER HISTORY AND ART. With Maps and numerous Illustrations. Medium 8vo. 25_s._ net.

=Fanshawe=, H. C. DELHI: PAST AND PRESENT. With Maps and Illustrations. Demy 8vo. 15_s._ net.

=Fergusson=, James. HISTORY OF ARCHITECTURE IN ALL COUNTRIES FROM THE EARLIEST TIMES. With 1,700 Illustrations. 5 Vols. Medium 8vo. £6 6_s._

Vols. I. and II. ANCIENT AND MEDIÆVAL. 63_s._

Vol. III. INDIAN AND EASTERN. 31_s._ 6_d._

Vols. IV. and V. MODERN. 31_s._ 6_d._

[Arrangements have been made with Booksellers enabling them to offer special terms for the above work complete.]

=Hodgson=, J. E., and =Eaton=, F. A. THE ROYAL ACADEMY AND ITS MEMBERS. A History from 1768 to 1830. With Portraits. Large Demy 8vo. 21_s._ net.

=Hogarth=, D. G., Edited by. AUTHORITY AND ARCHÆOLOGY, SACRED AND PROFANE. Essays on the Relation of Monuments to Biblical and Classical Literature. By VARIOUS WRITERS. _Second Edition._ Demy 8vo. 16_s._

=Jameson=, Mrs. LIVES OF THE EARLY ITALIAN PAINTERS—AND THE PROGRESS OF PAINTING IN ITALY—CIMABUE TO BASSANO. With 50 Portraits. Post 8vo. 12_s._

=Kugler’s = HANDBOOK OF PAINTING. The Italian Schools of Painting. _Sixth Edition_, revised. By Sir _Henry Layard_, G.C.B. With nearly 250 Illustrations. 2 Vols. Demy 8vo. 30_s._

—— The German, Flemish, and Dutch Schools. _Third Edition_, revised. By Sir J. A. CROWE. With 60 Illustrations. 2 Vols. Crown 8vo. 24_s._

=Layard=, Sir A. Henry. NINEVEH AND ITS REMAINS. With Illustrations. Crown 8vo. 7_s._ 6_d._

—— NINEVEH AND BABYLON. Illustrations. Crown 8vo. 7_s._ 6_d._

—— EARLY ADVENTURES IN PERSIA, BABYLONIA, AND SUSIANA. Portrait, Illustrations, and Maps. 2 Vols. Crown 8vo. 24_s._ _Popular Edition_ in 1 Vol. Crown 8vo. 7_s._ 6_d._

—— AUTOBIOGRAPHY AND LETTERS, from his Childhood until his Appointment as H.M. Ambassador at Madrid. With an additional Chapter on his Parliamentary Career by the Right Hon. Sir ARTHUR OTWAY. Edited by the Hon. WILLIAM NAPIER BRUCE. With Portraits and Illustrations. 2 Vols. Demy 8vo. 25_s._ net.

=Mariette=, Auguste. OUTLINES OF ANCIENT EGYPTIAN HISTORY. _Second Edition._ Edited, with Notes, by MARY BRODRICK. Crown 8vo. With Map. 5_s._

=Marillier=, H. C. THE LIVERPOOL SCHOOL OF PAINTERS. An Account of the Liverpool Academy, from 1810 to 1867. With Memoirs of the Leading Artists. With Illustrations. Square Demy 8vo. 10_s._ 6_d._ net.

=Maudslay=, A. P. and A. C. A GLIMPSE AT GUATEMALA. Some Notes on the Ancient Monuments of Central America. With Maps, Plans, 74 Photogravures, and other Illustrations. 4to. £4 4_s._ net.

=Morelli=, Giovanni. ITALIAN PAINTERS. Critical Studies of their Works. With an Introductory Notice by Sir HENRY LAYARD, G.C.B. With numerous Illustrations. Demy 8vo. 2 Vols. 15_s._ each.

Vol. I. THE BORGHESE AND DORIA PAMPHILI GALLERIES IN ROME.

Vol. II. THE GALLERIES OF MUNICH AND DRESDEN.

=Murray=, A. S. A HISTORY OF GREEK SCULPTURE FROM THE EARLIEST TIMES. With 130 Illustrations. 2 Vols. Medium 8vo. 36_s._

—— HANDBOOK OF GREEK ARCHÆOLOGY. Sculpture, Vases, Bronzes, Gems, Terra-cottas, Architecture, Mural Paintings, etc. Many Illustrations. Crown 8vo. 18_s._

—— THE SCULPTURES OF THE PARTHENON. With Illustrations of the whole Remains. Medium 8vo. 21_s._ net.

=Okakura=, Kakuzo. THE IDEALS OF THE EAST, with special reference to the Art of Japan. Crown 8vo. 5_s._ net.

=Phillipps=, Evelyn March. THE FRESCOES IN THE SIXTINE CHAPEL IN ROME. With 24 Illustrations and a Photogravure Frontispiece. Crown 8vo. 6_s._ net.

=Smith=, Sir Wm., =Dictionaries=:—

DICTIONARY OF THE BIBLE; Comprising its Antiquities, Biography, Geography, and Natural History. By VARIOUS WRITERS. With Illustrations. 3 Vols. _Enlarged and Revised Edition._ Medium 8vo. £4 4_s._

[Complete sets of the above work may be purchased through any Bookseller at reduced rates.]

CONCISE DICTIONARY OF THE BIBLE. Medium 8vo. 21_s._

SMALLER DICTIONARY OF THE BIBLE. Crown 8vo. 7_s._ 6_d._

DICTIONARY OF CHRISTIAN ANTIQUITIES. The History, Institutions, and Antiquities of the Christian Church. Edited by Sir W. SMITH, D.C.L., and Archdeacon CHEETHAM, D.D. With Illustrations. 2 Vols. Medium 8vo. £3 13_s._ 6_d._ each.

DICTIONARY OF CHRISTIAN BIOGRAPHY, LITERATURE, SECTS, AND DOCTRINES. Edited by Sir WM. SMITH, D.C.L., and HENRY WACE, D.D. 4 Vols. Medium 8vo. £6 16_s._ 6_d._

DICTIONARY OF GREEK AND ROMAN ANTIQUITIES. Including the Laws, Institutions, Domestic Usages, Painting, Sculpture, Music, the Drama,τύμπανα etc. Edited by Sir WM. SMITH, WILLIAM WAYTE, M.A., G. E. MARINDIN, M.A. _Third Revised and Enlarged Edition._ With 900 Illustrations, 2 Vols. Medium 8vo. 31s. 6_d._ each.

CONCISE DICTIONARY OF GREEK AND ROMAN ANTIQUITIES. Edited by F. WARRE CORNISH, M.A. With over 1,100 Illustrations taken from the best examples of Ancient Art. Medium 8vo. 21_s._

SMALLER DICTIONARY OF GREEK AND ROMAN ANTIQUITIES. With 200 Woodcuts. Crown 8vo. 7_s._ 6_d._

DICTIONARY OF GREEK AND ROMAN BIOGRAPHY AND MYTHOLOGY. Illustrated by 564 Engravings on Wood. In 3 Vols. Medium 8vo. £4 4_s._

CLASSICAL DICTIONARY OF BIOGRAPHY, MYTHOLOGY, AND GEOGRAPHY. _Thoroughly Revised Edition._ By G. E. MARINDIN, M.A. With over 800 Woodcuts. 8vo. 18_s._

SMALLER CLASSICAL DICTIONARY OF BIOGRAPHY, MYTHOLOGY, AND GEOGRAPHY. With 200 Woodcuts. In great part re-written by G. E. MARINDIN, M. A. Crown 8vo. 7_s._ 6_d._

DICTIONARY OF GREEK AND ROMAN GEOGRAPHY. Illustrated by 534 Engravings on Wood. 2 Vols. Medium 8vo. 56_s._

COMPLETE LATIN-ENGLISH DICTIONARY. With Tables of the Roman Calendar, Measures, Weights, Money, and a Dictionary of Proper Names. Medium 8vo. 16_s._

SMALLER LATIN-ENGLISH DICTIONARY. By Sir WM. SMITH and T. D. HALL, M.A. Square 12mo. 7_s._ 6_d._

COPIOUS AND CRITICAL ENGLISH-LATIN DICTIONARY. By Sir WM. SMITH, D.C.L., and T. D. HALL, M.A. Medium 8vo. 16_s._

SMALLER ENGLISH-LATIN DICTIONARY. By Sir WM. SMITH and T. D. HALL, M.A. Square 12mo. 7_s._ 6_d._

=Van Millingen=, A. THE WALLS OF CONSTANTINOPLE. Studies of the Topography of the Byzantine City and adjacent objects of interest. Plans and Illustrations. 4to. 21_s._ net.

=Wakeman’s= HANDBOOK OF IRISH ANTIQUITIES. Edited by JOHN COOKE, M.A. With numerous Illustrations. _Third Edition._ Crown 8vo. 10_s._ 6_d._ net.

=Ward=, John. THE SACRED BEETLE. Egyptian Scarabs in Art and History. Illustrated. Demy 8vo. 10_s._ 6_d._ net.

—— GREEK COINS AND THEIR PARENT CITIES. With 22 Autotype Plates and upwards of 500 Illustrations. Crown 4to. 25_s._ net.

—— OUR SOUDAN: ITS PYRAMIDS AND ITS PROGRESS. Dedicated by request to Lord Kitchener of Khartoum. Crown 4to. 400 Pages, 720 Illustrations. 21_s._ net. Including Maps and many Portraits.

=Watt=, Sir George. INDIAN ART AT DELHI, 1903. Being the Official Catalogue of the Delhi Exhibition, 1902–3. The Illustrative part by PERCY BROWN, A.R.C.A., Assistant-Director. Medium 8vo. 12_s._ net.

=Welbeck Catalogue.= A CATALOGUE OF LETTERS AND OTHER HISTORICAL DOCUMENTS IN THE LIBRARY AT WELBECK. Compiled by S. ARTHUR STRONG. With Portraits and numerous Facsimiles of Manuscripts in the possession of the Duke of Portland. 4to. £2 2_s._ net.

=Wilkinson=, Sir J. G. THE MANNERS AND CUSTOMS OF THE ANCIENT EGYPTIANS. With numerous Illustrations. 3 Vols. Demy 8vo. £4 4_s._

—— POPULAR ACCOUNT OF THE ANCIENT EGYPTIANS. Abridged from the above work. With 500 Woodcuts. 2 Vols. Crown 8vo. 12_s._

London: JOHN MURRAY, ALBEMARLE STREET, W.

Transcriber’s Note:

Errors which can be attributed to printer’s mistakes have been corrected, as noted below. Lapses in punctuation are corrected with no further mention.

In Volume II, the author has included as Fig. 173 a table of alphabets used on Greek vases.

Inscriptions are presented in archaic Greek script, which more or less follows that table. For instance, the character for pi (Π) resembles the modern gamma (Γ). All inscriptions are given using modern Greek characters. References to individual characters may appear with very brief descriptions, derived where possible from that table. The character upsilon (Υ) frequently appears as a modern Roman V. On occasion, sigma appears in the form of a modern C (the lunate sigma Ϲ).

Footnotes, which were numbered sequentially on each page, have been resequenced to be unique across the text. Cross-references to those numbers in the text have been changed to reflect this. The notes themselves have been moved to the end of each chapter.

Each plate was followed by a blank page on its verso, which have been removed here. The position of each plate, as well as that of all other figures, has been adjusted slightly to avoid falling in mid-paragraph. The pages devoted to plates were not counted in pagination.

* * * * *

The following anomalies regarding footnotes were observed:

On p. 153, the reference to the third footnote (521), referring the reader to “Pottier _Louvre Cat._, p. 381 ff.” does not appear in the text. The section discusses “Les vases à reliefs de style archaique en Italie et en Sicile”. The reference has been added following the paragraph ending with “designs of Oriental character”.

On p. 158, the reference to footnote (531) is missing from the text. The reference has been added at the end of the sentence beginning “Falkner found at Pompeii...”.

On p. 210, the sole footnote is missing its number, which is added here as 770.

On p. 214, the reference to the first footnote (775), referring the reader to Alexandre Brongniart’s _Traité des arts céramiques: ou des poteries_, i., p 552, does not appear in the text. The passage discusses the analysis of the glaze, and it seems appropriate to add the reference at the end of the paragraph beginning “This lustrous glaze...”.

On p. 427, footnote 1314 refers to a series of items, the last of which (‘270’) seems either out of order, or a misprint for ‘470’.

The following table contains those textual issues which are readily attributed to printer’s errors:

p. 96 which[,] were so light Removed p. 204 It has been noted by J[o/a]hn Corrected.