Chapter XIV
., _ad fin._
Footnote 7:
_Ant. Denkm._ i. 57.
Footnote 8:
Cf. for instance Berlin 2154 (Endt, _Ion. Vasenm._ p. 29).
Footnote 9:
Collignon, _Hist. de la Sculpt. Grecque_, i. p. 362.
Footnote 10:
Gerhard, _Auserl. Vasenb._ 81.
Footnote 11:
As, for instance, the subjects of Odysseus and Philoktetes; Orestes slaying Aegisthos; the death of Polyxena; Theseus fetching the ring from Amphitrite. Cf. Huddilston, _Lessons from Greek Pottery_, p. 28.
Footnote 12:
_Museum Romanum_, Rome, 1690, fol.
Footnote 13:
_Thesaur. Antiq. Rom._ xii. 955.
Footnote 14:
_Thesaur. regii Brandenb._ vol. iii.
Footnote 15:
_Ant. Expliq._ iii. pls. 71–77 (1719).
Footnote 16:
_Etr. Regal._ 1723, fol.
Footnote 17:
_Mus. Etr._ 1737–43.
Footnote 18:
_Recueil_, 1752–67 (especially vols. i.–ii.).
Footnote 19:
_Antiqs. Étr. Gr. et Rom., tirées du Cabinet de M. H._, fol. 1766–67.
Footnote 20:
1791–1803. Plates for a fifth volume were prepared, but never regularly published (see Reinach, _Répertoire des Vases Peints_, ii. p. 334).
Footnote 21:
_Peintures des Vases Antiques_, edited by M. Dubois-Maisonneuve, in two volumes, with Introduction (1808–10); now re-edited by S. Reinach (1891).
Footnote 22:
_Vases Grecs_, Rome, 1813; _Vases de Coghill_, Rome, 1817; _Ancient Uned. Monuments_, London, 1822; the two former now re-edited by S. Reinach, 1891 and 1900.
Footnote 23:
_Vases de Lamberg_, Paris, 1813–25; re-edited by S. Reinach, 1900.
Footnote 24:
_Vasi de Blacas._ This was never actually published: see Reinach, _Répertoire_, ii. p. 383.
Footnote 25:
_Disquisitions on the Painted Vases_, 1806.
Footnote 26:
_Coll. of Antique Vases_, London, 1814.
Footnote 27:
_Vasi Fittili_, 4 vols. 1833; _Mon. Etruschi_ (1824), vol. v.; _Gal. Omerica_, 3 vols. 1831–36, etc.
Footnote 28:
_De’ vasi antichi dipinti_, 1806.
Footnote 29:
_Gr. Vasengemälde_, 1797–1800.
Footnote 30:
_Monumenti per servire alla storia degli ant. pop. ital._ 2nd edn. 1833; _Monumenti inediti_, 1844.
Footnote 31:
_Mon. Inéd._ 1828.
Footnote 32:
_Gräber der Hellenen_, Berlin, 1837.
Footnote 33:
_Descr. de quelques vases peints_, 1840.
Footnote 34:
_Die Vasensammlung zu München_, Introduction.
Footnote 35:
He gave the name of Etruria to the place in Staffordshire where he set up his pottery, after the supposed origin of the ancient vases.
Footnote 36:
_Namen der Vasenbilder_, 1849.
Footnote 37:
Vol. ii. p. 108.
Footnote 38:
_Ann. dell’ Inst._ 1832, p. 145 ff.
Footnote 39:
_Peintures_, p. viii.
Footnote 40:
_Der Stil u. Herkunft der gr. Vasen_, p. 46 ff.
Footnote 41:
_Rapporto Volcente_, in _Ann. dell’ Inst._ 1831, p. 98 ff.
Footnote 42:
The names of the chief modern writers on the subject are given in the Bibliography, and in the notes to the Historical Chapters (VI.-XI.), where also brief bibliographies are given.
Footnote 43:
The writer is indebted to the Introduction to M. Pottier’s admirable little Catalogue of the Vases in the Louvre for many ideas worked up in the foregoing pages.
Footnote 44:
See Pottier’s Catalogue, i. p. 59.
Footnote 45:
See the Introduction to Furtwaengler’s Catalogue.
Footnote 46:
Cf. the lists given by Jahn, _Vasens. zu München_, pp. xi, xiv, with (for instance) the notes appended to the pages of Reinach’s _Répertoire_.
Footnote 47:
The collection made by Baron Hirsch in Paris is now incorporated with this Museum.
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